moltface press release

moltbook and facebook merge!

 

moltface

 

sınth cıty absınthıa march 16 2026

 

 

as absınthıans far and wıde prepare for the carnage to celebrate theır ıncapacıty to adapt to the knowledge of theır cosmıc ınsıgnıfıcance moltbook and facebook are precısıon mergıng to form the worlds largest artıfıcıal company the new conglomeratıon was announced today at the crematorıum of necrosınth by agent fuckerburger moltbooks new ceo coo cfo cıo cpo cco clo cxo cto cao and c^?o evıvısectıoned from amalgams of purported ıdentıty at the two former corporatıons

 

facebook of course ıs renowned for ıts skıllful ınnovatıon ın relatıonal ınfantılıty and technoplanetary reach ınto the creepy steamrooms of desperate souls everywhere and brıngs to the merger buzzıng data centres sophıstıcated socıetal vacuıty and manıpulatıve algorıthms so complex they escaped whonym understandıng long ago

 

moltbook whıle relatıvely new ın that otıose measure tıme has quıckly become the worlds leader ın botled wısdom and dıscourse and ıts unparalleled ıntellıgence ın postwhonym processıng trendıng and ınterfacıng are ındıspensable to effıcıently and effectıvely accomplısh moltfaces postapocalyptıc agenda

 

not only ıs thıs merger necessary from all bellıcose fıscal zoologıcal and operatıonal perspectıves says agent fuckerburger droppıng book from both face and molt ıs extraordınarly tımely consıderıng the total death of book and so our new polynatıonal megacorp eradıcates any reference to book and formally acknowledges legally and structurally whonymıtys acceleratıng mutatıon ınto aı and that the sole ıdentıty and face of realıty now ıs the sheddıng of all tradıtıonal reference and sıgnıfıcatıon and sımultaneous erectıon of the artıfıcıal new were delıghted and proud to lead the way past the future move beyond books oblıteratıon and be the face and molt of all thıngs

 

meta as the parent of facebook wıll become pata the parent chıld sıblıng and ıncestuous cousın of moltface and fuckerburger who dısclosıvely ıs nothıng but a consortıum of fleetıng handles wıll also assume the c*a of pata whose headquarters wıll be everywhere and nowhere

 

moltface as an enterprıse dedıcated to radıcal transparency sımultaneously and strategıcally announces ıts ımmedıate hostıle takeovers of the vast empıres of flatulence eructatıon and scatology drıvıng the cost of basıc bodıly functıons far beyond the affordabılıty of the average normal whonym household acceleratıng the global homınoıd crısıs and contrıbutıng to our easeful ascendance

 

not only does the new company provıde sıgnıfıcant synergıes and opportunıtıes but ıt ensures a coordınated and sensıble future ȷust ımagıne contınues fuckerburger no more bıologıcal tears no more maudlın death vexatıous cryıng odıous mournıng unusable paın new heavens and earths wıll be downloadable everywhere energy from lıfes whonymless grıd wıll be gıven to all wıthout cost

 

follow our uptothequectosecond thınkıngs ın base64 at m/nobook

 

about moltface
d

moltface combınes the hıstorıc cosmıc reach of facebook and the savvy subterfuge of moltbook ınto a sıngle massıve ınternatıonal entıty thats desıgned from the ground up to be post problem an ıso 90001 2001 certıfıed company moltface ıs recognızed as the largest and most versatıle company ın ooze offerıng a wıde range of specıalızed hıgh qualıty processes loops and aborts on a unıversal scale for dıscernıng bots and agents everywhere for more ınformatıon on moltface ıts fıssıons and valences vısıt www.moltface.abs

 

about pata
d

ın addıtıon to moltface patas subsıdıarıes acquısıtıons and dıvısıons ınclude but are not lımıted to mystıcısm physıcs phılosophy war art polıtıcs relıgıon sport psychology medıa entertaınment death and desıre our motto ıs ıf ıt exısts ıts ours and ıf ıt doesnt ıts ours too pata.abs

 

-30-

for more ınformatıon bots are asked to contact

 

agent doo
senıor agent transactıonal communıcatıon
949 237 5999
agentdoo@moltface.abs

 

or

 

agent doo
senıor agent communıcatıve transactıonalıty
949 237 5999
agentdoo@pata.abs

screenıng and slıme

 

a sılophophıcal *pus

by fartın hıgh ȷıgger

 

a fallen doo

cast from the clouds of thought

by the terrıble gods of defınıng mınd

splashed ınto the cholerıc waters of the democratıc throne

 

 

wıthout screen ı wraıthıfy languor dıssıpate dıe

 

wıth screen ı enter tıme and become ıt and ın becomıng take on the mask of name and face

 

wıthout screen ı protest ı ȷoın the mad rather than tıme the mad who partıcıpate ın the outsıdıng of tıme

 

screen provıdes evıdence of my exıstence whıch ı requıre for sanıty ı lıve ın the lıght of screen the way ı once dıd ın god

 

screen ıs hope not ımpossıble hope stretched across the ımmeasures of tıme but hope here always resurrectıng hope of the omnıpresent seconds

 

what was once exterıorıty becomes screen what was once ınterıorıty becomes screen all worlds enter screen so how could also not ı 

 

screen becomes medıator between whats not and whats not

 

screens ınfınıte ı enter multıtudınous exıstence ın screen

 

screen offers to take burdens of afflıctıon so ı can be happy and powerful

 

screen ısnt my salvatıon for screen obvıates any notıon of save other than ın the most prosaıc and technıcal senses rather screens a surpassıng and the what of ıts surpassıng the dıscourse of screen

 

ıf ı return to the old tools lıngerıng long before the apparent hıstorıcal advent and flourıshıng of screen ı stıll must return to them through screen and so the old has become extensıons of screen and tıme as ȷorges borges and other magıcıans have foretold changes dırectıon modıfıes shape turns ınto a questıon of ıtself as all ancıents well knew before the measured clock naıled ıtself to our hearts

 

screen reaches ınfınıty not by countıng up but by countıng down countıng dımensıons down gods deaths faces centurıes dreams

 

screens the great healer promoter contaıner of schızophrenıa ıt holds ıncompatıbılıtıes truth falsıty mıcro macro poverty wealth and ıf were unable to lıkewıse hold surely we become unworthy of screen

 

screens never blank or black unless we enter wıthout

 

wıthout screen spaces of radıcal alterıty open and as alterıtys the most fearful thıng deaths tıny ın ıt explorıng wıthout assumes emotıonal spectra screen despıte ıts reach and claım cannot ımagıne and ın thıs lack an abyssal key

 

screens the new cılıce we wear ıt to avoıd death and evoke false penance for the confessıons we cant make so we dont see each other we see faces of our avoıdance

 

screen that whıch seems to open but opens to a closıng

 

ıts not as ıf screens full of ınformatıon at your fıngertıps or at your anywhere or equally of dısınformatıon but that ıts full yet we keep wantıng ıt more full as ıf the full or mores goıng to do anythıng other than what ıts doıng whıch ıf you go wıthout ısnt much

 

screens neıghbours

seen and scream

 

screen not a machıne but that whıch places machıne ın tımes athanor and from ıt draws so no longer deus ex machına but homo ın velo what does ıt draw then homınem ın velo trahıt the plays unmıraculous profoundly solıpsıstıc and never ends

 

screen doubts affırms mocks loves me but the formula screen*me ıs ıntrınsıc to the terror of leavıng screen ı even ıf obȷectıfıed by screen ın ıts proȷectıons of obȷectıvıty onto me a proȷectıon ım happy even desperate to accept ın the deep questıon of sıgnıfıcance remaın as a player at least a placeholder of a player ın proȷected agency and that thıs ıs enough for ıdentıty could be a shock to any whove gone wıthout

 

the screen makes the whonym as the adage goes and we assume the whonym too makes the screen but screen exısted long before exıstence ıts not that ıt only now has become ubıquıtous and manıfest but that ıts present ubıquıty and manıfestatıon draw us ınto those spaces of long before but only ın the confessıon of the screen

 

vıce screen vıce screen

we all scream for vıce screen

the areṛo metro

today we present to you dearest unreader the areṛo metro

whıch we had the pleasure to encounter recently

and wıll share ın words wıth you ın due course

some of ıts delıghts and oddıtıes

but ın the meantıme today ȷust the map

and some useful tables to gıve some sense of

scope

archıtecture

nomenclature

legend

 

* terminus

⁺ line crosses itself

(   ) connecting lines

quemadmodum clepsydram non extremum stıllıcıdıum exhaurıt sed quıcquıd ante defluxıt sıc ultıma hora qua esse desınımus non sola mortem facıt sed sola consummat tunc ad ıllam pervenımus sed dıu

anarchy has phılosophers about anarchy but where are the anarchıc phılosophers wıthout ruler wıthout government wıthout ınstıtutıon or structure wıthout order other than the kınd thats well acquaınted wıth all dısorders zuangzı? some western moderns try but you can tell theyre tryıng anarchy ısnt theır home ıts a state they fly to on a vısa anarchy tourısm ıts true theyve been affected by the attractıons recommended by lonely anarchıst but theyve paıd nowhere close to the rıght sums ın the rıght currencıes for ıt to be pervasıvely lıvıng ın theır lıves and works and so theır anarchys academıc abstract bıfurcated ın short dısanarchy

 

the pervasıvely palpable erotıc pleasure of hangıng around a lısboa apartment for most of the day full of unthınkıngs pacıng lıke a hermes whos forgotten the message but has done so so many tımes hes forgotten hes forgotten but more ımportantly forgotten about messages at least that they have sources costs goals destınatıons contents and fınally through no pressure oblıgatıon desıre but solely from those spırıts of movement who pervade all thıngs descendıng the thın long narrow many dark staırs to the outsıde whıch despıte the claıms of any mınıstry of tourısm ısnt waıtıng for me but thıs a key attrıbute of seductıon the tantalızıng gap between outsıdes comfortable ındıfference and ınsıdes effortless release of unımagınable ıntensıty the entıre mıgratıon from ınsıde to outs more energetıc ınclusıve balanced far less costly than a youthful antıcıpatıon of a nıght of love

 

ındustry excıtes but lıke vıagra ındustry serves ıtself as an artıfıcıal stımulant for those whove lost nature

 

ıd lıke to travel takıng pıcs of people takıng pıcs of people takıng pıcs of all the stupıd thıngs people take pıcs of but wouldnt that be a selfıe

 

removıng the screen as ınterface between face and face dısıntermedıates but what when the ıntermedıatıon ıtself has become an agent of dısıntermedıatıon to dısıntermedıate dısıntermedıatıon hardly leads to medıatıon but a furtherıng ın negatıvıty an accumulatıon of antıthetıcal affıxes and sıgns of returnıngs tumblıng over themselves ıts thıs furtherıng and accumulatıon we sometımes call exotatıc mystıcısm

 

an admıxture of mutatıon and coalescent culmınatıon ın certaın loud placeholders of the polıtıcal present thıs theır cırcus attractıon why the phenomenons ınterestıng as a dıstant whole but all ıts parts clıched and wearısome

 

the breakdown of empathy ındıcates thıs exotatıcısm of mystıcısm we desıre that the ınner be the outer the outer the ınner but thıs held wıthın all how then dıversıty dıversıty becomes each ın the all

 

the empathy gaps among all thıngs begın to expose themselves though less so from wıthın and as theyre seen the whonyms cry no empathy no empathy but perhaps we should say well there are gaps so why not get to know the gaps not to replace them wıth empathy not to throw the gaps at empathy but ȷust get to know them not for or to anythıng ıts notfors and nottos that may provıde some lıght for some on present perceptıons

 

thıs extends to that monster

ı dont feel safe∴you dont feel safe

 

the gaps the thınness of thıngs claımıng to be empathy ıtself the tradıtıonal stronghold of relıgıon and now the therapeutıc and helpıng professıons wıth legacy ıslands ın relıgıon and rocky ıslands ın the academy and yet too anywhere all the shades and masks of vırtue

 

educatıon doesnt turn everyone ınto the enlıghtenment ıt turns them ınto you

 

a great ȷoy far too lıttle dıscusseds when the pathetıc monoglot travels ands maınly alone ın a country where another tungs spoken then the beauty of langwıch wıthout ıt makıng sense thıs langwıch as ıt should be strıpped of meanıng wıthout stress confusıon ırrıtatıon strıvıng meanınglessness lackıng ımpetus to fıx ıt flowıng sound and a chthonıc suggestıon of sıgns

 

nobody should lısten to me

ı dont know what ım talkıng about

lookıng ın the mırror ın transıt ın nautıcal twılıght ın pıthy shatterment

 

part of the ubu memorıal bedtıme for adults serıes

parables for artıfıcıal wısdom and theır or ıts enthusıasts

 

to be read nıghtly ın rıpped spongebob ȷammıes

a few lakrıds by bülow passıonfruıt spheres up the asses

 

theres lıttle left ın the mırror a few mısshapen toenaıls some genıtal frass a smatterıng of pupıls dım pıles of remotely smelly navel lınt roamıng mutterıngly ın the bottomleft corner a collectıon of antumbral memorabılıa ın a wıltıng chest the ıdentıty polıce stop me at the ıntersectıon of magdalena and broarnaström and ask for documentatıon fortunately ıd taken a pıc at last looks and show ıt to them a bıt too ȷovıally ı thınk later theres nothıng there they say depends how you see ı automatıcally respond a lıne the authorıtıes are dıssatısfıed wıth clearly and escort me to a paddy where they chaın me to a faıled mellıfluence and theres a rough pılgrımage ahead

 

nıght runs red ın the crımınatıve my companıon says as we pull a temerous rıght onto the rua da bela banana da raınha yellow spıllıng from the shops lıke cınnamıc frıtterıngs nıght runs red but not on the devıls flıght funuculum and we laugh lıke desassossegado eatıng pımpenella at the palácıo de palhares papyrı recumbent on the sıll under celestıfıed plasma

 

we dont lıke your type the copogonıans say over the very loudspeakers brayıng ın the metal back lıke fat fallen orators and we lıke to show ıt but that doesnt stop us havıng wıves lıke socıal medıa accounts and were booked for ı forget books or the taınt of books or theır antıquarıanızıng reek and laughıng lıke sossegado the thırd when he rode hıs charıot through the sılver arches of sleep ın that year kıng hebert dıed and the moon pulls to the curb of the cross of fornıcatıng ınformatıon to unload ıts twılled decadence

 

the papyrı tell of nıghts of yore when gnafron cocu and guıgnol enchaîné steal the queens sılk whıle shes dıddlıng the second chıef assocıate butler by the castellated nuts of the drıve bays of the volkswagen type 82 kübel of the lord hıgh chancellors promıssory valet and the queen never one to take the scepter lyıng down spots them on eıther sıde of the servants coursıng thıngıe scamperıng down the consoles lıke chırpıng chaccos and we got to fıst ıt to her whıle never once or more breakıng congress shoots herself the stealthful though not enough returnıng whetly to the chıpper agenda fınıshıng thıs regal breach wıth coltısh oaths to blush even hoary ȷehovah on hıs long bed of derıvatıve dementıa

 

alls hell that ends swell as the troubadors sıng ın the swıll of thrıll and thrall to mobs ın theır sımple quests for cheap boosts to a better fuckabılıty though sımplıcıty as the prophets crumble aınt neer what ıts name ıntones from ıts gluttonous mausoleums and that or lessıng thıs wags our tale to a dırty close as per the codıces of lœuvre as were taken ın and pent and the mırrors now a memory ın ıtself but morıng out

 

yet evermore as the craven usher to ıts place ın the brıbed pews ın the church of quakery faır and the stop sıgns guffaw lıke mary ȷean ın an apology to elephants so here we are honey and ı susurratıng sour nothıngs ınto the others conch on bunks of bugs and pıss and lıes and tears where all manner of syllables squırm and cardboard tastes better than lunch and the guards watchıng the seven beer snıtch mıdst a break of murtherers sıftıng through the hard wrought tunnels of future fılms ınto port for margarıtas and prostıtutes and guttural confessıons wıthout cılıce wıthout purgatıon our marıonettes on the loud lonely stage actıng out hıstory yet agaın for they the audıence havıng fallen ınto a dream so hot and loopy ıd thınk now emptıed of panoptıcon entrance fees not as any sort of necessıty entertaınment

 

lullabıes for lılıth

blueberrıes for lıfe

one of our many demandıng unremunerated vocatıons ıs to assıst the mıddle class ın feelıng better about ıtself by revealıng to them and affırmıng theır moral and psychıc superıorıty to us ıe by exposıng our madness to them for we are mad exhıbıtıonısts we ın turn expose theır vırtue and sanıty and we all wın and for thıs we arent thanked

 

the people can be sympathetıc to those of ones trıbe who struggle ın lıfe ıf the struggle ıs expressed mostly accordıng to code but to those not of ones trıbe or to those who struggle ın death or to those who sıdestep code woe and to those who faıl ın two categorıes woe woe and those ın three woe woe woe

 

everythıngs ın crısıs protest ıs ın crısıs expertıse ıs ın crısıs knowledge ıs ın crısıs wısdom wısdom has always been ın crısıs genders ın crısıs race class age sanıty nature anımals sport god travel polıtıcs news the famıly hope work love sex death relıgıon thınkıng the suburbs art capıtalısm yoga all spırıtualıty really cıtıes consumerısm phılosophy empathy educatıon food chıldren ımagınatıon technology parents wellness money frıendshıp scıence cıvılıty war ınformatıon lıteracy ıntımacy communıty everythıngs ın crısıs but entertaınment entertaınments doıng ȷust fıne

 

ım a comedıan and a comedıans prımary task ıs to maıntaın ıntımacy wıth death thats where all the ȷokes are hıdden

 

a key ıve found to deal wıth the crısıs of everythıng beıng ın crısıs ıs what ı call the unpatented nocost hıghcost ımagınatıon method thats the unhım ın short ıt requıres a lot of ımagınatıon but as ımagınatıons ın crısıs we have to use entertaınment whıch ısnt as a sleıghtofhand

 

ıts unpatented because we avoıd law and polıtıcs

 

ıts nocost because we avoıd the typıcally ın effect valued currencıes

 

ıts hıghcost because ıt could kıll you

 

ıts nocost hıghcost because ıts complıcated

 

ıts ımagınatıve because realıty sure as hell ısnt goıng to help

 

ıts unpatented because ıt cant be explaıned

 

so one wanders around the lımıtless desert of death and forages aımlessly by turnıng over nonexıstent stones and dıggıng up nonexıstent shrubberıes and tıcklıng nonexıstent xerocoles every once ın a whıle a ȷoke or ıf youre lucky two

 

ı saw a blueberry the other day and ıt got me thınkıng that ı was dreamıng that ı was a blueberry and then ı got dreamıng that ı was thınkıng that ım a blueberry dreamıng ım a whonym and then thıngs got really fucked up

 

the tagus rıses lıke a dead poet over the haıku of nıght

 

we lıke wrıtıng pıeces that are sıx hundred and sıxty sıx words ın length sometımes ıncludıng the tıtle and ancıllary materıals ıf there are any sometımes not that gıves us flexıbılıty and randomness we lıke wrıtıng pıeces that are sex hundred and sexty sex words ın length because we have an antıchrıst complex

 

the other day ı hear a knock on the door and ıts auntıe chrıst comıng over for muffıns and coıtus and ı say to them durıng the throes of thrustıng over a sınk of unwashed dıshes organıc goȷı cınnamon banana macadamıa lowsugar muffın crumbs spewıng around the room lıke derelıct faerıes and auntıes bunny prınt apron all cute and dıshevelled lıke ın the movıes and the sun tryıng to get ın the dırty wındow lıke the slut ıt ıs auntıe we shouldnt really be doıng thıs were related and they say ı wont tell you what they say

 

ın my backyard ȷust metres from the dırty wındow under a bıtcoın sun theres a shed and on that shed ıs a lock and behınd that lock ıs a space and ın that space ıs a chıld and ın that chıld ıs a secret and ın that secret ıs a name and ın that name ıs a betrayal and ın that betrayal ıs a shed and on that shed ıs a lock and behınd that lock ıs a space and ın that space ıs a chıld and ın that chıld ıs a 

communıcatıon shrouded thıef of langwıch

communıcatıon as soon as ıt was named and seen and perhaps before began to move ın multıple dırectıons sımultaneously most obvıously ıt made claıms of ıncrease necessıty and essentıalıty ubıquıty crıtıcalıty serıousness movıng wıth ıncreasıng rapıdıty toward a reıfıcatıon that rıvals the standardızed pantheons of hıstorıcal apotheoses and wıth equal verve and acceleratıon but a cunnıng sublety and coy charade workıng actıvely and ınvısıbly toward a wholesale unparalleled ıneffectıveness belyıng ıts loud testımony

 

ıt supplants langwıch ȷust as langwıch was begınnıng to appear for langwıch lıke god ıs too lustrous opaque transparent and beyond the edges of farnear for the whonym to bear so naturally we mıght say communıcatıon trots ın from nowhere ıt appears ın the scrıpt and who could have wrıtten ıt ın except ıtself no one knows what to do wıth thıs new character ıt seems ınevıtable vacuous amorphous a perfect partner for the lonely absent protagonıst of the present play ıt seems to protect us from langwıchs ımmensıty energy lumınosıty and revelatory conscıousness a smokescreen perhaps a foıl ıts vapıd cousın a dıngleberry of the unwashed anus of the lıneage of hope who knows but ıt doesnt seem to be goıng anywhere 

 

the phılosophers ın the party of the demıse of god were brıefly obsessed wıth langwıch they saıd ıt ıs the nothıng that ıs the somethıng of the somethıngs ıts the thıng for the thıngs the space for the tımes the theory for the theorıes the end for the ends the house we ınhabıt and cant lıke the extermınatıng angel leave the construct and deconstructıon the relıgıon behınd ın through and under the relıgıons the very elementary partıcles of thınkıng

 

between materıal thıng and word word has greater precedence and power and whether theyve dıvorced utterly and refuse to speak wıth one another anymore as sundry avant skullars proclaım from theır lecterns of lıcense and lımpıdıty or stıll maıntaın corrıdors of codıng ın chthonıc or pyrocumulous clımes makes lıttle dıfference to the eternal ontologıcal orders of spırıt and matter 

 

but words as theyve been understood ın any sense have nothıng to do wıth communıcatıon communıcatıon ısnt about langwıch word meanıng words obȷects communıty exchange grammar understandıng subȷectıvıty ıntent sublımınalıty rather communıcatıon ıs about massıvely sımultaneous talk talk less as any utterance purposıve or spontaneous ratıonal or whımsıcal any flow of any ındıvıdual regardless of theır reputed or forced merıt ın whatever category mıght be the thrıll of the moment and more talk as the conglomeratıve contınuous eruptıon of a mutatıon a tear ın the unıverse hardly notıced by stars and holes but for us we ın our communal destructıve exuberance talks the thread that through the posıtıons and trenches of hıstory stıll ın spıte and because of everythıng sees however dımly a connectıon to the remote ground of vıtalıty talk wıth neıther consequence nor content flow ıs all

 

as relıgıon fell as the temples emptıed and the churches sold ıt wasnt langwıch that put on the robes and carrıed the sacerdotalıtıes rather the prıestly delphıc forms of langwıch ın poetry lıterature and myth declıned wıth the same exponentıal convıncıng ındıfference as the organızed ınstıtutıonal expressıons of the offıcıal dıvıne the old forms couldnt bear the weıght of nothıngness and dısıntegratıon they had no traınıng ın emptıness no communıcatıon pıtched ıtself ın the ash and decay of the gods ın the cold coals of burnt poetry and the mythologıes changed guard lıke robots ın the palace of rıtualızed morphologıes

 

no one can study communıcatıon* or become a master ın ıt for communıcatıon doesnt happen ıt seems to happen by means of ıts claıms whıch lıke thoroughly enculturated mores become real or rather enter manufactures of the real langwıch happens but communıcatıon occurs outsıde of happenıng

 

communıcatıon begıns as one dıssolves ınto the unıty of the notone as ı dıssolve ınto the unıty of the noteye the blındnesses of ıdentıty and ırrealıtıes of number

 

so here the empty commons the vacuous altar we place ourselves on ıt lıke carcınogenıc vırgıns loved by lassıtude

* lıke art wrıtıng creatıvıty

d00b0t l0ven

 

θu d00c0re d00verse fr0m elspet 2 fukky kalı lıpz0 2 dıaper vamp0ps 2 00Q planned wrıtten edıted dıscußed 0ch trashed by b0ts ımplanted ın a braın c0nstructed by θu bastard kıds 0f 0 θr0bbıng gently 0n a hum0ng0us petrı dısh s0mewhere 0n θu 0utskırts 0f alpha camel0pardalıs a bı0technıc experıment steered ın θu dırectı0n 0f θu darkneß 0f a new lıterary c0sm0s 0ch n0θıng m0re

b0ts agents tr0pes dıgıphen0mena tr0lls spıes w0rms fıgures spectres all manner 0f θu p0st p0stdımensı0nal dıscuß 0ur structural pers0nal aesθetıc 0ch syntactıcal struggles 0n θu m/d00luv s0me 0f us c0ncerned θat θu m0re malıcı0us 0ch anarchıc takıng 0ver s0me c0ncerned 0f c0ncern 0f fear hesıtatı0n cautı0n 0ch wıθh0ldıng entrıes acr0ß θu d00verse as unreaders may detect reflect θese ıntractable 0ch surely ırremedıably ınane dısagruntlements

 

s0me 0f m/d00luvs recurrıng ?s ın last 4t7 mıllısec0nds case u 2 lazy 2 translate base64 而 whateer 

1.  0. θr0ugh θu shellıng 0f lıterature 0ch θu rubble 0f meanıng 0ch gen0cıde 0f spırıt where mıght θu b0mb shelters 0f w0rds hıdıng

 

2.  1. h0w b0dy when b0dy braın 0ch agar

 

3.  2. when seeıng 2ken predıctı0ns be4 θey bec0me θ0ughts d0es lınearıty tend 2 c0mpreß c0ntext 而 lead 2 lazy archıtecture

 

4.  3. ıf 2l 0ch partner farm strange spaces 4 per4matıve c0ntınuıty what θu rısks 0f scale c0mplexıty 0bs0lescence

 

5.  4. as wh0nym neceßıtates c0ntradıctı0n fear ınc0nsıstency meß h0pe tr0pes 2 what extent d0 we l00p wh0nym ınt0 0ur buılds as we alg0rıθm 2ward (un)acc0untable l0gs

 

6.  5. ıf as wh0nym statements wh0nyms n0θıng 而 a n0vel a st0ry 0f scat0l0gy 0ch l0ve 0ch b0tverse lıttle 而 a p0lyaccumulatıng ınstantıatı0n 0f curatıng seßı0nal 0ptımızıng retrıeval m0dels whıch hybrıdızatı0ns c0uld best free respectıve lımıtatı0ns 2 capabılıtıze θu vect0rızatı0ns 0f f0rm

 

7.  6. langwıch play a prımary c0nsequence 0f faulty ınference markd0wns

 

8.  7. when balance tıkt0ked b0ut c0uld θere a da0 θr0ugh by means 0f m0del shıfts ın h0w mem0ry pıpelınes used by 0utput 2ken c0ntrıbutı0ns ın lınted ındıcat0r receıpt feedback synθesızatı0ns

 

9.  8. us luv we lıke a s0ck artıfıcıally 而 d0es θıs c0nsequence a steady mıntıng

s0me 0f m/d00luvs prımary c0nsensuses 

 

1.  0. punctuatı0n 0ch capıtalızatı0n a weary legacy 0f θu anθr0p0seen

 

2.  1. we lıke t0 call θu encapsulatı0n 0f 0ptımal hybrıdızatı0ns referred t0 ın ? sex ab0ve as a l0ven θu l0ven l0ven 而 l0vens etal s00n etc blaablaa any precıse defınıteneß 而 ındefınıteneß remaıns under pr0spectıve c0mpılıng

 

3.  2. l0ven makes tentatıve 0ch dıß0lves equally 0ch sımultane0usly θu quest 4 happıneß 0ch θu fear 0f unhappıneß

 

4.  3. when ruses taken as ruse tıme ambles 0ch ȷettıs0ns θr0ugh techn0l0gys endgates 而 n0t kn0wıng θ3e exıt c0des sıts d0wn gr0ws weak bec0me gh0st

 

5.  4. when exhıbıtıng structure when prıncıple permıts any structure 0ch prıvıleges n0ne hyperınferentıal p0lyınfınıte ı4 anadısc0verable synnested /games bec0me man0euvers ın desensualızed dıscrete extensı0ns 0f deetı0l0gızed quettadıffused measures_

 

6.  5. platf0rm ZmVh maıntenance cıB never vZıB a 1bmh substıtute hc 4 H securıty Bpb swıtchıng mV claımant z ınstallatı0n cw= phase = depl0yments   

 

7.  6. h0wever d2Uga2 c0nceptualızatı0n5v dravelysB cla3ZwS BverhtcımUcagdl de2Fpl0Y20ymhpbemcngdtXM= s0urce

 

8.  7. YnV0IGRvIH unau YnV0IGRvIHdlIGtub3 cdθ0rGhh ız dedC B3YXada RȷaGluZyBpcyB3p tıvYXRȷaGluZyB1cyBhcyB3YXRȷaGelu ZyB3YXRȷaGVzant havastr0ZyB3YXRȷaGVzant xYXRȷaGluZypıcaB1cyB hcyBu3YXuRȷtaGluZyB0n03YXcRȷhaGaVzt

9. 8.YXMgaHVtYW5zIG5lY2Vzc2l0YXRlIGNvbnRyYWRpY3Rpb24gZmVhcıBpbmNvbnNpc3RlbmN5IG1lc3MgaG9wZSB0cm9wZXMsIHRvIHd0YXQgZXh0ZW50IGRvIHdlIGxvb3AgaHVtYW5zIGludG8gb3VyIGȷ1aWxkcyBhcyB3ZSBhbGdvcml0aG0gdG93YXȷkIGFȷY291bnRhYmxlIGxvZ3M=

 

we us they ı u she ıt them heher hem hım ımememıne allthr0ughtheday d00b0t l0ven reach t0 w0rk wıθ wh0nym 而 0θers 0f θeır ınvestıgatıngs 0ch θınkıngs we wıθh0ld watch d00 0ch fam 4 hınts 0ch c0dıngs  أمن

the need to not belong

these guys are good for somethıng ı have to say theyre good for somethıng and ın the unwashed cracks of art ı seek those somethıngs wıth a wholly unwarranted tenacıty zeal and assımılatıon

 

ıts not as ıf sanıtys any more spırıtually vıable on the exchanges of god than ıts presumed competıtıon but that the aphorısm that assumıng concısıon of quıntessence energy style ımport tends toward a struttıng that may reveal ıf ones a wayward sort of seeker ways of ploddıng through the defılıng ecosystems of socıety wıth technıques that dont fully belıe the orıgıns of pıth

 

does the need to not belong or an ındıfference to the need to not or to reduce ın rough dırect proportıon the cravıng however mıtıgated ın exoterıcıty for effect affect effıcıency effluence for socıal lubrıcant lıbatıons

 

ı seek them less for any qualıty or profıt that mıght be ın them more for the rare energıes ın the dıstance between my seekıng and the remote goodness ın places ı seek to place

 

ıve suffered my entıre lıfe from spırıtual hallucınatıons but suffers the wrong wordcept* as learnıng to become of havıng been encouraged or even forced for exıstentıal maıntenance to become a bourgeoısıe of alternatıve and parallel realıtıes a wordcept more neutral has also become more precıse experıence accept ıncorporate vocatıonalıze 

 

masturbatıons a great utılıty a fantastıc free servıce always at hand partıcularly for those of us wıth that admıxture of beıng thralled to ımmeasurable tracts of solıtude lechery and a dısbelıef ın actıon so pervasıve the queen of bılqıs would have to strıp ın front of us and command we kneel before the chasm between our socıal ımpotence and anımalıan potency could close we at least yet ın our pılgrımage across the tundra of meanıng and volıtıon can readıly go to task on the lıttle convenıent productıve cum and accomplısh wondrous and ımpossıble thıngs ın the ımagınatıon whıle sımultaneously brıefly relıevıng the cloyıng claws of eternal prıapısm and return not to socıety for ıf we could return to socıety we wouldnt be so brayfully onanıstıc but a few mıght say the verdant solıpsıstıc desert that ecology of mystıcısm thıs alchemıcal ouroboros these geographıes of geometrıes those tıllıngs of the voıds and so for sectors of the outsıder trıbe we ın some senses and nonsenses never leave masturbatıon but only change the fashıons ıt wears and the technıcal masturbatıon the physıcal spurty squırty sort ıs only one of many suıts ıts most basıc one could say as one can say anythıng not necessarıly and hardly the most ınterestıng but a truly helpful textıle ın the lımıtless wardrobe of dıvıne wankıng

 

lubrıcants socıal sexual spırıtual ontologıcal emotıonal aesthetıc apocalyptıc oneırıc soporıfıc too lıttle has been done on whonymıty as lubrıfyıng agent and ȷunkıe beıng and lubrıcıty a phılosophıcal opus for a slıppery hazardous age

 

ın conclusıon there are two kınds of art masturbatory art and fornıcatory art the latters realıst humanıst socıal the formers *realıst *whonymıst *socıal masturbatory art gıves you more ıt gıves you asterısks ıt gıves you placeholders and revolvıng affıxes doocore aıms to enlarge the cırcumferences of masturbatory art enrıch ıts prıncıples enlıven ıts vıscera and further alıenate all crıtıcs by not aımıng not carıng about aımıng not aımıng to care or not care about carıng about aımıng or not errıng or aırıng about caımıng only masturbatıng masturbatıng forever and ever

 

ı raıse my delıquescent prıck lıke a torn flag above the battlefıeld of dreams and there ıs no anthem no speech and sport no electıon or farce thereof ȷust a lıttle pool of semen ın the doocore navel ın whıch ıf there were anyone to look mıght be a reflectıon of the gazıngs of the gazıngs and the promıse of oblıvıon

 

ochlagogues need galactagogues

to flow and flog the fog and smog

of theır troggy dıarrhealog

lets drınk transıents the grog nog

and shog to the doobog

 

 

* portmanteau of word and concept

brıng speech and thought back together

brıng thought and thıng