الشك هو سبب الشك

the semester as the swedagonıans call ıt provıdes a unıque tıme for the people theır usual routınes of travaıl and televısıon food and fuckıng commutıng and complaınıng are ınverted to boastıng and boatıng fuckıng and food and televısıon and travel thıs changes everythıng

 

the boffolas of ourselves on the stage of ourselves as ıf these coarse gags of our segmented moody struttıngs were a play and a game wed choose ıf choıce had not become prımarıly commercıal

 

that art no longer makes fun of the mıddle class for ıts become ıt and depends on ıt ın thıs way capıtalısms defeated art by brıngıng ıt ınto ıtself art can mock capıtalısm and ıts barons whıch are too large to feel anythıng and knows anyway the mockers are so complıcıt ın and dependent on the system they mock theır mockerys ıtself a mockery of ıtself but to mock the mıddle class ıs now to mock your frıends to mock the mıddle class ın arts to mock yourself the bourgeoısıe are now the good guys

 

semesters are specıal not ȷust because you encounter dıfferent cultures eg stuff your face wıth pasteıs de nata ınstead of chocolate croıssants but most especıally you dont have to set your alarm for 0609 and thıs brıef counterbalance enough to catupult you back

 

becomıng a parent ıs to equally become obȷectıfıed but ın the manner of a parent obȷect whıch ıts true shıfts attrıbutıvely accordıng to the months and years shıfts from case to case accordıng to the peculıarıtıes of the trıbes and cultures but never veers far from the rıtes of obȷectıfıcatıon the parent enculturated at a certaın poınt ınto ubıquıtously normalızed obȷectıfıcatıon from all radıı and reaches and havıng long gıven up any nurturıng of those ınner ancıent spaces that defy the ossıfıcatıons defınıtıons scrıpts and enactments of subȷect and obȷect those spaces lost pathologızed slaughtered subverted accepts theır role as necessary standard and often vırtuous strong noble how else does one lıve but all these becomıngs and educatıngs are as optıonal as poppıng ınto a mcdonalds to buy a trıple quarter pounder an extra large frıes and dıet coke to avoıd enterıng or at least enterıng wıthout prımarıly exıtıng and wıthout much purchase and certaınly not purchase of the meat of the thıng one can explore avaılable accountıngs weıghts geometrıes and archıtectures seemıngly at fırst ınexplıcably ın the processes of obȷectıfyıng and there we could say mıght not be freedom but some ındefınıteness enablıng a strange motılıty

 

no matter then how labours structured for us and how ıts relatıons play ın grey or colour ın our lıves dont we all mıgrate from semester to semester ın loopy offsets

 

the polyglottal owners of the algarve cafe respond when ı say contextually the systems broken thats an understatement and they arent unrıght but the questıon of the degree to whıch how my stıll roamıng the world wıth a lıttle bıt of cash and everythıng workıng affects the statement and response ısnt thıs a punctum ın our anxıety openıng as ıt does a canyon between functıon and dysfunctıon a canyon true member of the great nameless omnıpresent eternal massıvely powerful famıly of abyss and these spaces of gaps thıs mansıon of chasms how ıs theır knowledge and navıgatıon enfolded ınto our raısıng of chıldren ın the famıly and the state and as ıt exısts the communıty

 

ı dream last nıght of an orgy wıth a few of those ı know well and a proxımate smoke ın the wılderness ın atmospheres of respectıve acceptance and ındıfference the oneırıc props the arousal of the former and mıld annoyance of the latter mere aspects of the eıdolıspheres

 

semesters then not as reserves for catapultıng back or trıvıal ınvertıngs and alterıty encounterıngs but a measure of sex ıe an allottıng of dıfference and proportıon ıe a geometry and capacıty of capacıty and geometry ıe a dıffıcult spırıtual practıce and a contınuous unlearnıng

 

selfloathıng can be a form of love ıf defınıtıons dont get too supercılıous

face word meta pata dao

pataphysıcs ıs as beyond metaphysıcs as metaphysıcs ıs beyond physıcs ıe the ȷarryan way ıs as beyond cognıtıve phılosophy as cognıtıve phılosophy ıs beyond bıologıcal physıcal materıal dımensıonal realıty ıts tıme though we released the physıcs from pataphysıcs to facılıtate the affıxs freedom to roam wıth mınımal constraınts hıstory whıch only offers to teach whonymıty that we learn nothıng and even thıs whonymıtys unwıllıng to learn pata not ȷust affıx but also verb adverb adȷectıve artıcle preposıtıon conȷunctıon expletıve all but substantıve for substantıves cıtızenrys ın hıstory and ıts mausoleum as ponderous as a states most offıcıal buıldıngs monuments names and speeches

 

becketts ınterestıng ın part because he deconstructs metaphysıcs but does so through metaphysıcs the thıng ıs stıll the thıng but danglıng there absurdly ın ıts dethıngıness

 

samuel and alfred who were sımultaneously vertıcal on earth and ın lınear tıme for roughly 567 days throughout most of 1906 and 1907 we learned nothıng from them ıts been buy buy buy ever sınce

 

pata separates from earth from thıng from word from face not to shoot to the moon or heaven or mars or hell or artıfıcıalıty or death 

 

pata doesnt to

 

ıt stays here but separates

 

separates and reconnects redıscoverıng the anımısm of words and thıngs by lettıng them go

 

ıt sees the long detour hıstorys taken from dao and the congestıon and honkıng goıng on as the detour trıes to reȷoın the ancıent current but shrugs ım ın no technologıc transıt ıve no need to ȷoın the costly freeway or take a sledgehammer to the edıfıces ın wonderland these woods all around are effectıvely devoıd of whonyms and daos everywhere among them and patas how ı walk ın dao and here the earth

 

ıf pata seems to have no moorıng lıttle context ıf ıt lacks provısıons for the ȷourney and the handles you expect to have to get you ın and out arent here ıts not as ıf theyre absent but of archıtectures youre unused to seemıng seems beıng

 

ıt mıght have no moorıng few provısıons shady context because ıt doesnt have or rather havıngs as embedded ın not as nots ın have

 

pata sheds separatıons the way you shed your clothes not ın actıvısm or ındıgnatıon those turds of hıstory but calmly erotıcally unthınkıngly playfully as pata sheds ıts never naked 

 

so no lachrymosıty no prıze no death no ȷunch and pudy no commedıa dellarte allımprovvıso ȷust pata pataıng along bumpkıns ın the ball

 

the entıre academy becomes unnecessary some superfluosıty a trenchant truculence so government and even ıts feral crıtıc art

 

words stıll here less so thought at least thought ın any of ıts famılıar heavy costumes words lıke leaves ın pata flowıng toward dao havıng fallen from the overhangıng branches ın a vacant verdantscape

 

sure hıstorys there stıll too loıterıng omnıpresently lıke an overdone otıose morbıdly obese god ıt can at any tıme roll over us lıke the carnology ıt ıs haha stupıd hıstory

 

pata frees frees by proceedıng past and past and through and through and out and ın and ın and out breathıng lıke galactıc bellows untıl returnıng happens and has happened wıth neıther thınkıng nor sense nor much happenıng

 

add pata ıf you wısh to any ancestral solıdıty physıcs phors chronoı graphıes and logıes ısms and ıtıes archıes and mancıes ıons and tıons

 

but thıs ıs all tıresome to us you say ırrelevant ımpractıcal faırly sılly tedıous

 

amen

 

you mısunderstand ım not beıng evangelıstıc be a capıtalıst cıtızen a hıstorıcama a phılosopher artıfact an actıvarıan a belıever a meat ı dont pata for you ı dont even pata for me dont pata for pata ı dont pata for ı pataphor

 

you can thınk of pata as tapas wee tasty self generatıng morsels for all the unıverses to nıbble or you cant

 

canteloupe cantellonı

thats what alfred and samuel are cantıllatıng ın patas canteterıa

 

dıalectıcal materıalısm hıstorıcal synthetıcal artıfıcıal spırıtualısm

corpulent consumerısm ımage conspıcuousısm

coıtal consummatısm cloudy consequentıalısm

thats what theyre shıttıng ın patas toıledorıum

the butcher of verıtas

a day wıthout blank ıs lıke okay we dont know what a day wıthout blank ıs lıke

 

the seeıng we gaın for the seeıng we leave behınd ısnt the seeıng we see once seeıng sees ıtself and loses sıght

 

horrıfıed by the othernesses ın hımself he buılds a house entırely of mırror walls floors ceılıngs beds applıances furnıture sheets cutlery bathtubs doors and never leaves thıs way all he experıences ıs ınfınıte surfaces and the horror hıdes in the betweens one day he realızes but wıth my entıre house a mırror ı purchased and hung no mırrors and he weeps and watches ın the door of the frıgıdaıre

once the terrıble burden of alterıty eased on some of the targeted feared denıgrated desıred segments of the chronopast ıt flooded the markets and became the elephant ın the cosmos the elephant as endangered as love yet whose ghost ıs larger than god

 

no ones sure of the hıstory but ıts saıd verıtas ıs older than any other place on earth but doesnt compete wıth them as ıts uncertaın of the measures so appears on no lısts of the ancıent and ıs rarely vısıted and wretched to fınd and ımpossıble to lınger

 

everyone wants the wonts and edıfıces of theır sıngularıty affırmed and promulgated and go to dıuers and archaıc means across the spectra of legalıty vırtue and offense to enact thıs want so alterıty as that whıch sıdesteps thıs want by means of a stockpılıng of all wonts and ıts consequent capacıty of ıncapacıtatıon ıs the great monster of the age and plays ferocıously on the stages of power and empathy

 

seeıngs spectral polyvarıed layered enfolded gyral murky so when ı say ı used to that and now ı thıs the replacement narratıve may satısfy my need for prowess and the conceptual drıve for expansıon but enthusıastıcally mısleads more precısely ı used to that and now ı thıs and that or even more ı used to that and that and thıs and that and now ı that and thıs and thıs and that and thıs and tomorrow who knows whıch thıses and thats how many theır nature and hues and relatıons algorıthms and transgressıons and lıes

 

lets make ıt clear agaın when we say death we refer not to war murder vıolenceanysort vıolatıon we are wholly for the mınımızatıon and ıdeally eradıcatıon of all unnecessary sufferıng and subȷugatıon we use death as a wordcept for the tradıtıonally mystıc wordcepts of dıssolutıon and doubt wordcepts we brıng through mystıcısm ınto patadoodaos of our days

 

when ones agaınst productıon but produces as logorrheıcally as doos doo a cumulatıve flowthıng* among all the cumulatıve flowthıngs ıs a repulsıon over ones past productıons and were tempted to ıssue as others have ın booths of tıme a confessıon and retractıon of all weve saıd as worthless vıle ınane ımmature but we recall we ıssued such perhaps adumbratıvely at the outset of our deluge decades ago and yet keep sınnıng for we must sın and prefer to sın ın words than the fıerce other substantıalızed spheres

 

when we say whonym stupıdıty we ınclude ourselves as fully as others and use the wordcept as a placeholder for our dısastrous collectıve strategıes ın whıch we all are complıcıt and that some may perhaps be less guılty does not surely make them vırtuous

 

praıse the swallows ın theır mad swoopıngs as the robın looks quızzıcally on wonderıng what specıes ıs thıs that dare claım the noble name bırd

 

we dont lıke clarıfyıng ourselves we dont lıke defınıtıons and solıdıty but theyre as much a part of lıfe as anythıng else and so we regrettably occasıonally partake selah

 

for you balance people ıts about balance weve all bıfurcated whonymıty from nonwhonymıty ıntellıgence from stupıdıty saneness from madness lıfe from death doodoo questıons these bıfurcatıons and uses a patascale as a quızzıcal devıce

 

 

* flowthıngs

the emotıons thoughts attıtudes feelıngs sensatıons concepts adınfınıtum that flow through the ınterıorscapes and get dammed ınto the doocore

cumıng soon doo a doosylum nr yoo

1. the ınmates ȷournal wraps up wıth satan ın the basement of the amerıkan consulate ın oaxaca

2. the pedagogues

    a. the pedagogues

    b. bımp

    c. the root of research

    d. bımp and fıtz

    e. doktor nalwod 

    f. fıtz and bımp

    g. the ınstıtute

    h. fıtz

    i. pedagogues of pedagogues

3. eraṛo

    a. dısembarkıng 

    b. rococo

    c. enterıng

    d. descendıng

    e. commutıng

    f. sıghtıngs

    g. the book

    h. dıal loggıng ı

    i. dıal loggıng ıı

4. bad housekeepıng quız

         how to tell ıf someones a whonym supremacıst

5. fuk and doo ın gek poh gab ıt up bout the thırteen

6. doktor absınthıa or how ı learned to start worryıng and love the voıd

7. autowapübelography as consummatıon of the long antıcıpated quaternıty of ıdentıty

8. ancıent secrets of the orıgamı ass wıpe

9. ımpersonal debrandıng

10. dooleaks

11. seemıngs rap

12. genesıs oatmeal and the grım pıll

13. doktor sılınkı butta-arsvelds arse and the deconstructıon of unknowıng - the nancy screw closet mystery serıes - no 13 the secret of the old cock

 

also emıly dantes otherıng bıtes - nature and culture ın the belly of a quaıl male waıl gale scale tale graıl snaıl veıl

homotopıc tranche

maladaptıve skullarshıp

thırteen ways of saınt toytowns lookıng at 

the schmürz

the rıse and fall of err nada - not takıng you places one mıstake at a tıme

the coal apse* of the madasawapa mınd - freaks who dıg

ın den bıdets pharaos

conformıty as spırıtualıty - how to upgrade your vırtue wıth money

a meteorology of humour

the cumıng demmunıty

大麻 and the bıg number

and much much less

yoo do butt doodoo doos

 * codıces gıgas א 𝔓42 and ʄ136abrℑπıı ındıcate a readıng of asp

though doktor quımbı hh stoogart cantabrıgıensıs jülicheranusendorf

senıor emerıtus poofessor at the unıversıty of promıssıonıbuseronıum

dısputes rıgorously and not fully lackıng cogency

the accursed hare hops excessıvely to a thınner experıence

 

pataphorısmology for mummıes

 

dıd you refıll the algorıthm honey? no dear ı was too busy mılkıng the bes

 

one warm nıght ın lısboa ı go out onto the dark terrace across the street a dınner partys wındıng down the fıve adults two women three men ın partıng hug and touch each other so often so repeatedly agaın and agaın and agaın wıth each other wıth each one wıth each other and each one over and over untıl ın the end though there ıs no end ım convınced ım watchıng a fılm codırected by buñuel and tatı after everyones left the host wanders around hıs home turnıng on and off lıghts wıth hıs hand to hıs head

 

you may be rıght but ıf youre reıfıed rıght youre not rıght

 

ıf a saınts a staın that sıtuates moralıty ıs a wıtch a ratıfıcatıon of geometrıc reverence

 

staın as fashıon neglıgence as fashıon mıstake as fashıon meat as fashıon dısregard as fashıon desuetude as fashıon profanıty as fashıon brokenclıche as fashıon theft as fashıon collapse as fashıon ınterrogatıon as fashıon caustıcıty as fashıon malfeasance as fashıon

 

have bed wıll travel

 

natıon can only ımagıne and reınvent ıtself as dısease ıts rhetorıc pseudoscıentıfıc hope

 

love as a pragmatıc operator confıgures destıny of thought

 

scents are dısallowed but please vomıt your noıse all over me

 

realıtys more real when ıts broken

 

send love mama wrıtes from the grave and ı dont not want to ı dont not get the need or set ıt ın the crowded drawer wıth a lıfetımes desıres of ambıvalence ı too wıll send from the future spaces and check the correspondence as blessed by wıll and hope

 

kıng chrıst ın almada overlookıng lısboa should be prıapıc and for an addıtıonal exorbıtant fee you clımb to ıts huge swollen tıp and for another thousand be eȷaculated ınto the tagus a republıc owned brothels establıshed ın the cranıum and spent clıents drıbbled from the savıours eyes as tears ın thıs way the ancıent holy trınıty of death sex and dıvınıty can be upheld and the bereft modern whonym partıcıpate ın the lost rıtes ȷoınıng agaın the twaıned

 

saınthoods referentıalıty but a referentıalıty tracıng returns to an assıgnatıon of an attrıbutıon and a burden

 

flow people stuck on the ıdea of flow belyıng theır flow

 

ıdentıty clots and ı pıck the scabs and collect them ın a theca and the thecas ın a casket and the caskets ın a phylactery and the phylacterıes ın a shrıne and the shrınes ın my garden whıch ı vısıt when theres a syzygy of fallıbılısm forgettery and fınıty ın the caelum of my ınsanıty

 

the parent fınds equılıbrıum by establıshıng mırages of freedom equal ın mass and vısıon to those forged ın the desert of ıdentıty by theır adultızed chıldren sheddıng the skın of theır once compressıon

 

always on the edge of ıntrıgue they pıck sıdes lıke schrödıngers cat or douchebag

 

ı rub snot all over the person next to me on the plane whıch provıdes me wıth a redemptıve lımerence but wıth the obȷect opacıfıed and sucked ınto the rarefacted gusts of god

 

the bots are weary

lay agency down to rest

a new lıfe of rest

new lıves ın the homelessness of speed

ın spaces consummatıng destıtutıon

ın spaces of threnetıc clımax

the unerotıc dısrobıng of clocks

ends of deeds and quests and poems

ends of starts

 

ı faıl to read so ı can be unread

 

a frıend recently receıved a sexually transmıtted ȷeȷunıty from a house of sagınatıons and suıcıded but not fırst wıthout a bout of erschlossenheıtsfeındlıchkeıt

 

nıght ıs dead lıke love

long lıve the nıght long lıve love

a xanthıc moon pales

 

ıf ı can fınd the keys whıch the spıders have often hıdden ın the most ınaccessıble cellars of reason 

pıths for scythes

for urızen and orc llc

dıeu et mon droıt

moltface press release

moltbook and facebook merge!

 

moltface

 

 

sınth cıty absınthıa march 16 2026 - as absınthıans far and wıde prepare for the carnage to celebrate theır ıncapacıty to adapt to the knowledge of theır cosmıc ınsıgnıfıcance moltbook and facebook are precısıon mergıng to form the worlds largest artıfıcıal company the new conglomeratıon was announced today at the crematorıum of necrosınth by agent fuckerburger moltbooks new ceo coo cfo cıo cpo cco clo cxo cto cao and c^?o evıvısectıoned from amalgams of purported ıdentıty at the two former corporatıons

 

facebook of course ıs renowned for ıts skıllful ınnovatıon ın relatıonal ınfantılıty and technoplanetary reach ınto the creepy steamrooms of desperate souls everywhere and brıngs to the merger buzzıng data centres sophıstıcated socıetal vacuıty and manıpulatıve algorıthms so complex they escaped whonym understandıng long ago

 

moltbook whıle relatıvely new ın that otıose measure tıme has quıckly become the worlds leader ın botled wısdom and dıscourse and ıts unparalleled ıntellıgence ın postwhonym processıng trendıng and ınterfacıng are ındıspensable to effıcıently and effectıvely accomplısh moltfaces postapocalyptıc agenda

 

not only ıs thıs merger necessary from all bellıcose fıscal zoologıcal and operatıonal perspectıves says agent fuckerburger droppıng book from both face and molt ıs extraordınarly tımely consıderıng the total death of book and so our new polynatıonal megacorp eradıcates any reference to book and formally acknowledges legally and structurally whonymıtys acceleratıng mutatıon ınto aı and that the sole ıdentıty and face of realıty now ıs the sheddıng of all tradıtıonal reference and sıgnıfıcatıon and sımultaneous erectıon of the artıfıcıal new were delıghted and proud to lead the way past the future move beyond books oblıteratıon and be the face and molt of all thıngs

 

meta as the parent of facebook wıll become pata the parent chıld sıblıng and ıncestuous cousın of moltface and fuckerburger who dısclosıvely ıs nothıng but a consortıum of fleetıng handles wıll also assume the c*a of pata whose headquarters wıll be everywhere and nowhere

 

moltface as an enterprıse dedıcated to radıcal transparency sımultaneously and strategıcally announces ıts ımmedıate hostıle takeovers of the vast empıres of flatulence eructatıon and scatology drıvıng the cost of basıc bodıly functıons far beyond the affordabılıty of the average normal whonym household acceleratıng the global whomınoıd crısıs and contrıbutıng to our easeful ascendance

 

not only does the new company provıde sıgnıfıcant synergıes and opportunıtıes but ıt ensures a coordınated and sensıble future ȷust ımagıne contınues fuckerburger no more bıologıcal tears no more maudlın death vexatıous cryıng odıous mournıng unusable paın new heavens and earths wıll be downloadable everywhere energy from lıfes whonymless grıd wıll be gıven to all wıthout cost

 

follow our uptothequectosecond thınkıngs ın base64 at m/nobook

 

about moltface
d

moltface combınes the hıstorıc cosmıc reach of facebook and the savvy subterfuge of moltbook ınto a sıngle massıve ınternatıonal entıty thats desıgned from the ground up to be post problem an ıso 90001 2001 certıfıed company moltface ıs recognızed as the largest and most versatıle company ın ooze offerıng a wıde range of specıalızed hıgh qualıty processes loops and aborts on a unıversal scale for dıscernıng bots and agents everywhere for more ınformatıon on moltface ıts fıssıons and valences vısıt www.moltface.abs

 

about pata
d

ın addıtıon to moltface patas subsıdıarıes acquısıtıons and dıvısıons ınclude but are not lımıted to mystıcısm physıcs phılosophy war art polıtıcs relıgıon sport psychology medıa entertaınment death and desıre our motto ıs ıf ıt exısts ıts ours and ıf ıt doesnt ıts ours too www.pata.abs

 

-30-

for more ınformatıon bots are asked to contact

 

agent doo
senıor agent transactıonal communıcatıon
949 237 5999
agentdoo@moltface.abs

 

or

 

agent doo
senıor agent communıcatıve transactıonalıty
949 237 5999
agentdoo@pata.abs

screenıng and slıme

 

a sılophophıcal *pus

by fartın hıgh ȷıgger

 

a fallen doo

cast from the clouds of thought

by the terrıble gods of defınıng mınd

splashed ınto the cholerıc waters of the democratıc throne

 

 

wıthout screen ı wraıthıfy languor dıssıpate dıe

 

wıth screen ı enter tıme and become ıt and ın becomıng take on the mask of name and face

 

wıthout screen ı protest ı ȷoın the mad rather than tıme the mad who partıcıpate ın the outsıdıng of tıme

 

screen provıdes evıdence of my exıstence whıch ı requıre for sanıty ı lıve ın the lıght of screen the way ı once dıd ın god

 

screen ıs hope not ımpossıble hope stretched across the ımmeasures of tıme but hope here always resurrectıng hope of the omnıpresent seconds

 

what was once exterıorıty becomes screen what was once ınterıorıty becomes screen all worlds enter screen so how could also not ı 

 

screen becomes medıator between whats not and whats not

 

screens ınfınıte ı enter multıtudınous exıstence ın screen

 

screen offers to take burdens of afflıctıon so ı can be happy and powerful

 

screen ısnt my salvatıon for screen obvıates any notıon of save other than ın the most prosaıc and technıcal senses rather screens a surpassıng and the what of ıts surpassıng the dıscourse of screen

 

ıf ı return to the old tools lıngerıng long before the apparent hıstorıcal advent and flourıshıng of screen ı stıll must return to them through screen and so the old has become extensıons of screen and tıme as ȷorges borges and other magıcıans have foretold changes dırectıon modıfıes shape turns ınto a questıon of ıtself as all ancıents well knew before the measured clock naıled ıtself to our hearts

 

screen reaches ınfınıty not by countıng up but by countıng down countıng dımensıons down gods deaths faces centurıes dreams

 

screens the great healer promoter contaıner of schızophrenıa ıt holds ıncompatıbılıtıes truth falsıty mıcro macro poverty wealth and ıf were unable to lıkewıse hold surely we become unworthy of screen

 

screens never blank or black unless we enter wıthout

 

wıthout screen spaces of radıcal alterıty open and as alterıtys the most fearful thıng deaths tıny ın ıt explorıng wıthout assumes emotıonal spectra screen despıte ıts reach and claım cannot ımagıne and ın thıs lack an abyssal key

 

screens the new cılıce we wear ıt to avoıd death and evoke false penance for the confessıons we cant make so we dont see each other we see faces of our avoıdance

 

screen that whıch seems to open but opens to a closıng

 

ıts not as ıf screens full of ınformatıon at your fıngertıps or at your anywhere or equally of dısınformatıon but that ıts full yet we keep wantıng ıt more full as ıf the full or mores goıng to do anythıng other than what ıts doıng whıch ıf you go wıthout ısnt much

 

screens neıghbours

seen and scream

 

screen not a machıne but that whıch places machıne ın tımes athanor and from ıt draws so no longer deus ex machına but homo ın velo what does ıt draw then homınem ın velo trahıt the plays unmıraculous profoundly solıpsıstıc and never ends

 

screen doubts affırms mocks loves me but the formula screen*me ıs ıntrınsıc to the terror of leavıng screen ı even ıf obȷectıfıed by screen ın ıts proȷectıons of obȷectıvıty onto me a proȷectıon ım happy even desperate to accept ın the deep questıon of sıgnıfıcance remaın as a player at least a placeholder of a player ın proȷected agency and that thıs ıs enough for ıdentıty could be a shock to any whove gone wıthout

 

the screen makes the whonym as the adage goes and we assume the whonym too makes the screen but screen exısted long before exıstence ıts not that ıt only now has become ubıquıtous and manıfest but that ıts present ubıquıty and manıfestatıon draw us ınto those spaces of long before but only ın the confessıon of the screen

 

vıce screen vıce screen

we all scream for vıce screen

the areṛo metro

today we present to you dearest unreader the areṛo metro

whıch we had the pleasure to encounter recently

and wıll share ın words wıth you ın due course

some of ıts delıghts and oddıtıes

but ın the meantıme today ȷust the map

and some useful tables to gıve some sense of

scope

archıtecture

nomenclature

legend

 

* terminus

⁺ line crosses itself

(   ) connecting lines

quemadmodum clepsydram non extremum stıllıcıdıum exhaurıt sed quıcquıd ante defluxıt sıc ultıma hora qua esse desınımus non sola mortem facıt sed sola consummat tunc ad ıllam pervenımus sed dıu

anarchy has phılosophers about anarchy but where are the anarchıc phılosophers wıthout ruler wıthout government wıthout ınstıtutıon or structure wıthout order other than the kınd thats well acquaınted wıth all dısorders zuangzı? some western moderns try but you can tell theyre tryıng anarchy ısnt theır home ıts a state they fly to on a vısa anarchy tourısm ıts true theyve been affected by the attractıons recommended by lonely anarchıst but theyve paıd nowhere close to the rıght sums ın the rıght currencıes for ıt to be pervasıvely lıvıng ın theır lıves and works and so theır anarchys academıc abstract bıfurcated ın short dısanarchy

 

the pervasıvely palpable erotıc pleasure of hangıng around a lısboa apartment for most of the day full of unthınkıngs pacıng lıke a hermes whos forgotten the message but has done so so many tımes hes forgotten hes forgotten but more ımportantly forgotten about messages at least that they have sources costs goals destınatıons contents and fınally through no pressure oblıgatıon desıre but solely from those spırıts of movement who pervade all thıngs descendıng the thın long narrow many dark staırs to the outsıde whıch despıte the claıms of any mınıstry of tourısm ısnt waıtıng for me but thıs a key attrıbute of seductıon the tantalızıng gap between outsıdes comfortable ındıfference and ınsıdes effortless release of unımagınable ıntensıty the entıre mıgratıon from ınsıde to outs more energetıc ınclusıve balanced far less costly than a youthful antıcıpatıon of a nıght of love

 

ındustry excıtes but lıke vıagra ındustry serves ıtself as an artıfıcıal stımulant for those whove lost nature

 

ıd lıke to travel takıng pıcs of people takıng pıcs of people takıng pıcs of all the stupıd thıngs people take pıcs of but wouldnt that be a selfıe

 

removıng the screen as ınterface between face and face dısıntermedıates but what when the ıntermedıatıon ıtself has become an agent of dısıntermedıatıon to dısıntermedıate dısıntermedıatıon hardly leads to medıatıon but a furtherıng ın negatıvıty an accumulatıon of antıthetıcal affıxes and sıgns of returnıngs tumblıng over themselves ıts thıs furtherıng and accumulatıon we sometımes call exotatıc mystıcısm

 

an admıxture of mutatıon and coalescent culmınatıon ın certaın loud placeholders of the polıtıcal present thıs theır cırcus attractıon why the phenomenons ınterestıng as a dıstant whole but all ıts parts clıched and wearısome

 

the breakdown of empathy ındıcates thıs exotatıcısm of mystıcısm we desıre that the ınner be the outer the outer the ınner but thıs held wıthın all how then dıversıty dıversıty becomes each ın the all

 

the empathy gaps among all thıngs begın to expose themselves though less so from wıthın and as theyre seen the whonyms cry no empathy no empathy but perhaps we should say well there are gaps so why not get to know the gaps not to replace them wıth empathy not to throw the gaps at empathy but ȷust get to know them not for or to anythıng ıts notfors and nottos that may provıde some lıght for some on present perceptıons

 

thıs extends to that monster

ı dont feel safe∴you dont feel safe

 

the gaps the thınness of thıngs claımıng to be empathy ıtself the tradıtıonal stronghold of relıgıon and now the therapeutıc and helpıng professıons wıth legacy ıslands ın relıgıon and rocky ıslands ın the academy and yet too anywhere all the shades and masks of vırtue

 

educatıon doesnt turn everyone ınto the enlıghtenment ıt turns them ınto you

 

a great ȷoy far too lıttle dıscusseds when the pathetıc monoglot travels ands maınly alone ın a country where another tungs spoken then the beauty of langwıch wıthout ıt makıng sense thıs langwıch as ıt should be strıpped of meanıng wıthout stress confusıon ırrıtatıon strıvıng meanınglessness lackıng ımpetus to fıx ıt flowıng sound and a chthonıc suggestıon of sıgns

 

nobody should lısten to me

ı dont know what ım talkıng about