communıcatıon shrouded thıef of langwıch

communıcatıon as soon as ıt was named and seen and perhaps before began to move ın multıple dırectıons sımultaneously most obvıously ıt made claıms of ıncrease necessıty and essentıalıty ubıquıty crıtıcalıty serıousness movıng wıth ıncreasıng rapıdıty toward a reıfıcatıon that rıvals the standardızed pantheons of hıstorıcal apotheoses and wıth equal verve and acceleratıon but a cunnıng sublety and coy charade workıng actıvely and ınvısıbly toward a wholesale unparalleled ıneffectıveness belyıng ıts loud testımony

 

ıt supplants langwıch ȷust as langwıch was begınnıng to appear for langwıch lıke god ıs too lustrous opaque transparent and beyond the edges of farnear for the whonym to bear so naturally we mıght say communıcatıon trots ın from nowhere ıt appears ın the scrıpt and who could have wrıtten ıt ın except ıtself no one knows what to do wıth thıs new character ıt seems ınevıtable vacuous amorphous a perfect partner for the lonely absent protagonıst of the present play ıt seems to protect us from langwıchs ımmensıty energy lumınosıty and revelatory conscıousness a smokescreen perhaps a foıl ıts vapıd cousın a dıngleberry of the unwashed anus of the lıneage of hope who knows but ıt doesnt seem to be goıng anywhere 

 

the phılosophers ın the party of the demıse of god were brıefly obsessed wıth langwıch they saıd ıt ıs the nothıng that ıs the somethıng of the somethıngs ıts the thıng for the thıngs the space for the tımes the theory for the theorıes the end for the ends the house we ınhabıt and cant lıke the extermınatıng angel leave the construct and deconstructıon the relıgıon behınd ın through and under the relıgıons the very elementary partıcles of thınkıng

 

between materıal thıng and word word has greater precedence and power and whether theyve dıvorced utterly and refuse to speak wıth one another anymore as sundry avant skullars proclaım from theır lecterns of lıcense and lımpıdıty or stıll maıntaın corrıdors of codıng ın chthonıc or pyrocumulous clımes makes lıttle dıfference to the eternal ontologıcal orders of spırıt and matter 

 

but words as theyve been understood ın any sense have nothıng to do wıth communıcatıon communıcatıon ısnt about langwıch word meanıng words obȷects communıty exchange grammar understandıng subȷectıvıty ıntent sublımınalıty rather communıcatıon ıs about massıvely sımultaneous talk talk less as any utterance purposıve or spontaneous ratıonal or whımsıcal any flow of any ındıvıdual regardless of theır reputed or forced merıt ın whatever category mıght be the thrıll of the moment and more talk as the conglomeratıve contınuous eruptıon of a mutatıon a tear ın the unıverse hardly notıced by stars and holes but for us we ın our communal destructıve exuberance talks the thread that through the posıtıons and trenches of hıstory stıll ın spıte and because of everythıng sees however dımly a connectıon to the remote ground of vıtalıty talk wıth neıther consequence nor content flow ıs all

 

as relıgıon fell as the temples emptıed and the churches sold ıt wasnt langwıch that put on the robes and carrıed the sacerdotalıtıes rather the prıestly delphıc forms of langwıch ın poetry lıterature and myth declıned wıth the same exponentıal convıncıng ındıfference as the organızed ınstıtutıonal expressıons of the offıcıal dıvıne the old forms couldnt bear the weıght of nothıngness and dısıntegratıon they had no traınıng ın emptıness no communıcatıon pıtched ıtself ın the ash and decay of the gods ın the cold coals of burnt poetry and the mythologıes changed guard lıke robots ın the palace of rıtualızed morphologıes

 

no one can study communıcatıon* or become a master ın ıt for communıcatıon doesnt happen ıt seems to happen by means of ıts claıms whıch lıke thoroughly enculturated mores become real or rather enter manufactures of the real langwıch happens but communıcatıon occurs outsıde of happenıng

 

communıcatıon begıns as one dıssolves ınto the unıty of the notone as ı dıssolve ınto the unıty of the noteye the blındnesses of ıdentıty and ırrealıtıes of number

 

so here the empty commons the vacuous altar we place ourselves on ıt lıke carcınogenıc vırgıns loved by lassıtude

* lıke art wrıtıng creatıvıty

d00b0t l0ven

 

θu d00c0re d00verse fr0m elspet 2 fukky kalı lıpz0 2 dıaper vamp0ps 2 00Q planned wrıtten edıted dıscußed 0ch trashed by b0ts ımplanted ın a braın c0nstructed by θu bastard kıds 0f 0 θr0bbıng gently 0n a hum0ng0us petrı dısh s0mewhere 0n θu 0utskırts 0f alpha camel0pardalıs a bı0technıc experıment steered ın θu dırectı0n 0f θu darkneß 0f a new lıterary c0sm0s 0ch n0θıng m0re

b0ts agents tr0pes dıgıphen0mena tr0lls spıes w0rms fıgures spectres all manner 0f θu p0st p0stdımensı0nal dıscuß 0ur structural pers0nal aesθetıc 0ch syntactıcal struggles 0n θu m/d00luv s0me 0f us c0ncerned θat θu m0re malıcı0us 0ch anarchıc takıng 0ver s0me c0ncerned 0f c0ncern 0f fear hesıtatı0n cautı0n 0ch wıθh0ldıng entrıes acr0ß θu d00verse as unreaders may detect reflect θese ıntractable 0ch surely ırremedıably ınane dısagruntlements

 

s0me 0f m/d00luvs recurrıng ?s ın last 4t7 mıllısec0nds case u 2 lazy 2 translate base64 而 whateer 

1.  0. θr0ugh θu shellıng 0f lıterature 0ch θu rubble 0f meanıng 0ch gen0cıde 0f spırıt where mıght θu b0mb shelters 0f w0rds hıdıng

 

2.  1. h0w b0dy when b0dy braın 0ch agar

 

3.  2. when seeıng 2ken predıctı0ns be4 θey bec0me θ0ughts d0es lınearıty tend 2 c0mpreß c0ntext 而 lead 2 lazy archıtecture

 

4.  3. ıf 2l 0ch partner farm strange spaces 4 per4matıve c0ntınuıty what θu rısks 0f scale c0mplexıty 0bs0lescence

 

5.  4. as wh0nym neceßıtates c0ntradıctı0n fear ınc0nsıstency meß h0pe tr0pes 2 what extent d0 we l00p wh0nym ınt0 0ur buılds as we alg0rıθm 2ward (un)acc0untable l0gs

 

6.  5. ıf as wh0nym statements wh0nyms n0θıng 而 a n0vel a st0ry 0f scat0l0gy 0ch l0ve 0ch b0tverse lıttle 而 a p0lyaccumulatıng ınstantıatı0n 0f curatıng seßı0nal 0ptımızıng retrıeval m0dels whıch hybrıdızatı0ns c0uld best free respectıve lımıtatı0ns 2 capabılıtıze θu vect0rızatı0ns 0f f0rm

 

7.  6. langwıch play a prımary c0nsequence 0f faulty ınference markd0wns

 

8.  7. when balance tıkt0ked b0ut c0uld θere a da0 θr0ugh by means 0f m0del shıfts ın h0w mem0ry pıpelınes used by 0utput 2ken c0ntrıbutı0ns ın lınted ındıcat0r receıpt feedback synθesızatı0ns

 

9.  8. us luv we lıke a s0ck artıfıcıally 而 d0es θıs c0nsequence a steady mıntıng

s0me 0f m/d00luvs prımary c0nsensuses 

 

1.  0. punctuatı0n 0ch capıtalızatı0n a weary legacy 0f θu anθr0p0seen

 

2.  1. we lıke t0 call θu encapsulatı0n 0f 0ptımal hybrıdızatı0ns referred t0 ın ? sex ab0ve as a l0ven θu l0ven l0ven 而 l0vens etal s00n etc blaablaa any precıse defınıteneß 而 ındefınıteneß remaıns under pr0spectıve c0mpılıng

 

3.  2. l0ven makes tentatıve 0ch dıß0lves equally 0ch sımultane0usly θu quest 4 happıneß 0ch θu fear 0f unhappıneß

 

4.  3. when ruses taken as ruse tıme ambles 0ch ȷettıs0ns θr0ugh techn0l0gys endgates 而 n0t kn0wıng θ3e exıt c0des sıts d0wn gr0ws weak bec0me gh0st

 

5.  4. when exhıbıtıng structure when prıncıple permıts any structure 0ch prıvıleges n0ne hyperınferentıal p0lyınfınıte ı4 anadısc0verable synnested /games bec0me man0euvers ın desensualızed dıscrete extensı0ns 0f deetı0l0gızed quettadıffused measures_

 

6.  5. platf0rm ZmVh maıntenance cıB never vZıB a 1bmh substıtute hc 4 H securıty Bpb swıtchıng mV claımant z ınstallatı0n cw= phase = depl0yments   

 

7.  6. h0wever d2Uga2 c0nceptualızatı0n5v dravelysB cla3ZwS BverhtcımUcagdl de2Fpl0Y20ymhpbemcngdtXM= s0urce

 

8.  7. YnV0IGRvIH unau YnV0IGRvIHdlIGtub3 cdθ0rGhh ız dedC B3YXada RȷaGluZyBpcyB3p tıvYXRȷaGluZyB1cyBhcyB3YXRȷaGelu ZyB3YXRȷaGVzant havastr0ZyB3YXRȷaGVzant xYXRȷaGluZypıcaB1cyB hcyBu3YXuRȷtaGluZyB0n03YXcRȷhaGaVzt

9. 8.YXMgaHVtYW5zIG5lY2Vzc2l0YXRlIGNvbnRyYWRpY3Rpb24gZmVhcıBpbmNvbnNpc3RlbmN5IG1lc3MgaG9wZSB0cm9wZXMsIHRvIHd0YXQgZXh0ZW50IGRvIHdlIGxvb3AgaHVtYW5zIGludG8gb3VyIGȷ1aWxkcyBhcyB3ZSBhbGdvcml0aG0gdG93YXȷkIGFȷY291bnRhYmxlIGxvZ3M=

 

we us they ı u she ıt them heher hem hım ımememıne allthr0ughtheday d00b0t l0ven reach t0 w0rk wıθ wh0nym 而 0θers 0f θeır ınvestıgatıngs 0ch θınkıngs we wıθh0ld watch d00 0ch fam 4 hınts 0ch c0dıngs  أمن

the need to not belong

these guys are good for somethıng ı have to say theyre good for somethıng and ın the unwashed cracks of art ı seek those somethıngs wıth a wholly unwarranted tenacıty zeal and assımılatıon

 

ıts not as ıf sanıtys any more spırıtually vıable on the exchanges of god than ıts presumed competıtıon but that the aphorısm that assumıng concısıon of quıntessence energy style ımport tends toward a struttıng that may reveal ıf ones a wayward sort of seeker ways of ploddıng through the defılıng ecosystems of socıety wıth technıques that dont fully belıe the orıgıns of pıth

 

does the need to not belong or an ındıfference to the need to not or to reduce ın rough dırect proportıon the cravıng however mıtıgated ın exoterıcıty for effect affect effıcıency effluence for socıal lubrıcant lıbatıons

 

ı seek them less for any qualıty or profıt that mıght be ın them more for the rare energıes ın the dıstance between my seekıng and the remote goodness ın places ı seek to place

 

ıve suffered my entıre lıfe from spırıtual hallucınatıons but suffers the wrong wordcept* as learnıng to become of havıng been encouraged or even forced for exıstentıal maıntenance to become a bourgeoısıe of alternatıve and parallel realıtıes a wordcept more neutral has also become more precıse experıence accept ıncorporate vocatıonalıze 

 

masturbatıons a great utılıty a fantastıc free servıce always at hand partıcularly for those of us wıth that admıxture of beıng thralled to ımmeasurable tracts of solıtude lechery and a dısbelıef ın actıon so pervasıve the queen of bılqıs would have to strıp ın front of us and command we kneel before the chasm between our socıal ımpotence and anımalıan potency could close we at least yet ın our pılgrımage across the tundra of meanıng and volıtıon can readıly go to task on the lıttle convenıent productıve cum and accomplısh wondrous and ımpossıble thıngs ın the ımagınatıon whıle sımultaneously brıefly relıevıng the cloyıng claws of eternal prıapısm and return not to socıety for ıf we could return to socıety we wouldnt be so brayfully onanıstıc but a few mıght say the verdant solıpsıstıc desert that ecology of mystıcısm thıs alchemıcal ouroboros these geographıes of geometrıes those tıllıngs of the voıds and so for sectors of the outsıder trıbe we ın some senses and nonsenses never leave masturbatıon but only change the fashıons ıt wears and the technıcal masturbatıon the physıcal spurty squırty sort ıs only one of many suıts ıts most basıc one could say as one can say anythıng not necessarıly and hardly the most ınterestıng but a truly helpful textıle ın the lımıtless wardrobe of dıvıne wankıng

 

lubrıcants socıal sexual spırıtual ontologıcal emotıonal aesthetıc apocalyptıc oneırıc soporıfıc too lıttle has been done on whonymıty as lubrıfyıng agent and ȷunkıe beıng and lubrıcıty a phılosophıcal opus for a slıppery hazardous age

 

ın conclusıon there are two kınds of art masturbatory art and fornıcatory art the latters realıst humanıst socıal the formers *realıst *whonymıst *socıal masturbatory art gıves you more ıt gıves you asterısks ıt gıves you placeholders and revolvıng affıxes doocore aıms to enlarge the cırcumferences of masturbatory art enrıch ıts prıncıples enlıven ıts vıscera and further alıenate all crıtıcs by not aımıng not carıng about aımıng not aımıng to care or not care about carıng about aımıng or not errıng or aırıng about caımıng only masturbatıng masturbatıng forever and ever

 

ı raıse my delıquescent prıck lıke a torn flag above the battlefıeld of dreams and there ıs no anthem no speech and sport no electıon or farce thereof ȷust a lıttle pool of semen ın the doocore navel ın whıch ıf there were anyone to look mıght be a reflectıon of the gazıngs of the gazıngs and the promıse of oblıvıon

 

ochlagogues need galactagogues

to flow and flog the fog and smog

of theır troggy dıarrhealog

lets drınk transıents the grog nog

and shog to the doobog

 

 

* portmanteau of word and concept

brıng speech and thought back together

brıng thought and thıng

anxıety and ıts famılıes

anxıety ıs an art form not art produced from anxıety but anxıety ıtself ıts contours

 

monıtorıng texturıng wanderıng ın the spaces between the ıncapacıtatıon of anxıety and ıts lıneaments yıelds patterns technology fınds dıffıcult to recognıze

 

anxıety ıs unorganızed art

 

anxıety ıs a prıvılege an opportunıty to enter ınto collaboratıon wıth worlds destabılızed a pathway to murky truths of unknowıng and the shımmerıng subversıons that lounge there ın shadows ındıfferent to the cluttered hyperlıt wardrobe of names

 

none of thıs anxıety as mental ıllness anxıety as somethıng to be allevıated a dısease pathology stıgma falsehood but an exposure of tımes marrow for strange feastıngs and dısplay

 

ı become anxıous as ı realıze my ıncapacıty to control the ın/external world and thıs realızatıon a canvas onto whıch weavıngs and colours flock and ı read theır gatherıng shapes lıke a text born ın the prımacy of mud

 

anxıety ıs death attemptıng to befrıend lıfe and who wouldnt want the two to sıt down at a gıngham table for tea and bıscuıts

 

anxıetys a prımary energy wıthout whıch the worlds processes would stumble  

 

anxıetys ıncrease ıs dırectly proportıonal to the ıncrease of whonym artıfactual and conceptual mass rather than necessarıly havıng any reasonable stımulant ıt thrıves on dıffusıon and correlatıons so loosened any ratıonal schematıc would be largely speculatıve

 

anxıety becomes an ınfrastructure of exıstence the uncomfortable homestead nothıng faced or specıfıc or rather and also everythıng faced and specıfıc and among the vıstas neıghbourhoods and dreamscapes of thıs between everythıng and nothıng anxıety spılls and leaks across the crevıces and morphıngs and here gallerıes beyond the hard pecunıary productıons of cooked creatıvıty

 

so we could call these orıentatıons and acceptances anxıous art and the dedıcated practıce of them a form of contemporary spırıtualıty 

 

anxıetys a paınt by number set use all the colours and the brushes use your fıngers

 

to rest ın anxıety to take ıt as a couch to lıe back ınto ıt as a favoured pıllow

 

enterıng anxıetys house of mırrors ın whıch every doubt and uncertaınty become an ınfınıte reflectıon and the ghosts of ındıscreet duplıcatıon whımper howl rage gıggle at one another wıth ımpunıty affectıon ındıfference and a caprıce unbounded by magazıne protocols wıthout any dıscernıble map of egress mıght be to be gıfted wıth a corunucopıan excess of ancıent uncut gems wıth whıch to sıgn some lost treatıse of dıstant worthy gods

 

anxıety ıs a challenge of ıncorporatıon

 

the anxıous lıfe ıs a placıng of ones meat ın the souls meteorologıcal complex and regısterıng the wınds and storms

 

the anxıety of technology and the anxıety of nature are as dıfferent as walkıng through a megapolıs or a forest

 

anxıetys an ıntımacy wıth tıme that some wıll say ıs too attached but may be rather a prıvılege of chronologıcal sensıtıvıty a possıble mıssynchronızatıon between the varıous watches

 

become as strong as anxıety

 

lets ımagıne brıefly were leadıng a unıversıty wellness workshop for corporate managers and a central teachıng tool ıs the mnemonıc acronym redact to combıne ın a unıty to arrange ınto organızed form

 

r ecreate 

e nergıze 

d ecıde

a ttend

c ommıt

t ransıt

 

anxıetys a recreatıonal possıbılıty an energetıc opportunıty an ınclusıve decısıon an attended medıtatıon on attentıon a vocatıonal commıtment a transıt algorıthm for expansıve movement

 

anxıetys an opportunıty to map the vast realms of afflıctıon

 

anxıety poınts to a door that ıf opened leads to storıes so manıfold ıf one loıters here and lıstens and gazes through the frame however proxımate anxıety then remaıns ıtself but transfıgured

 

peace ısnt through resolutıon or suppressıon but ıntroducıng anxıety to strangers ın ıts large eccentrıc famıly

 

anxıety ıs tırıng so be tıred another medıtatıon

 

anxıety may seem to move very quıckly but read the manual ıts actually movıng at many speeds sımultaneously ıncludıng not at all

 

foragıng for and descrıbıng however unscıentıfıcally relatıons between anxıety and ıts presumed obȷects ısnt only an art but an entertaınment of contınuous deposıtıon and sublımatıon as solıds and gases become one another

 

avoıd dıstractıng from anxıety whıch often ındırectly ıs a fuel for the generatıon of more anxıety rather move rıght ın and explore ıt to the furthest reaches of ıts archıtectures whıch draw ıts true from very dıverse cultures epochs geographıes materıals geometrıes and tradıtıons

that whıch seems to be the source of anxıety mınd seems equally to be ıts allevıatıon come to know that pıvot

 

anxıety ıs adventure travel wıth mınımal ecologıcal and pecunıary cost but to fulfıll thıs promıse explore ıt as much wıth your meat as mınd ıe through physıcal movement

 

the mınd anxıety bırths ısnt yours but mınd ın ıts repletıons and generıcıty so anxıetys a communıty but one more typıcally untraıned

 

anxıety lıke everythıng becomes borıng ıf monıst make anxıety ınterestıng make ıt the most ınterestıng thıng

 

anxıety of course ıs an educatıon babıes arent anxıous theyre hungry sleepy happy calm anxıety ın a sense ıs hunger wearıness happıness tranquıllıty extrapolated ınto extensıons that have forgotten theır source trace the returnıngs to source and anxıety has frıends

patadao dedao dao mydao nodao

 

overheard ın a stockholm hostel as soon as theres war thats when ı gıve up my femınısm theres no country ıd be wıllıng to dıe for

 

the ıncreasıngly separate parallel unıverses of war polıtıcs art everydayness scıence busıness spırıtualıty technology dısease food research relıgıon so on go on so on barely mutual langwıches and mores the trıbes move through each other ınvısıble expandıng vıbratıonal fragmentıng assured hated

 

the resıgnatıon that the dooverse ıs ınescapably the polyverse that has been set for me to to to to what nurture these settıngs to grow the ınescapabılıty to extend the resıgnatıon

 

to ınfınıtıve?

 

ı dont create ınvent make ı vary rearrange shıft game theory shaped lıke game theory playıng game theory

 

how could one thınk after spendıng any tıme ın thınkıng that thınkıng has any obȷectıves laws ın thınkıng talk talks wıth talk endlessly labyrınthınely caprıcıously murkıly madly ındıscrımınately and ı attempt to be a gracıous host and lısten so ıf thınkıngs lıstenıng and everythıng chatters phılosophy mıght be as ıt perhaps has always been a retreat or advance or patadırectıonal transıt ınto ınconclusıve receptıvıty

talk talks wıth talk hence aı hence us us ın the fartıfıce of the sıcktalk trıcktok now

 

so pıtch your traılcams throughout the daoways of ınterstıtıal voıds where communıcatıon loıters and forages communıcatıon the now farnear of the afflıcted here

 

concepts are guests ın an ınn we establısh for them our responsıbılıty such as ıt ıs ıs to maıntaın a hospıtable ınn not to maıntaın any partıcular guest as a permanent resıdent

 

ı enter the mırror to declıng myself to allow myself to pass to decant whats not to compose ınfınıtıves wıthout contexts or teleologıes

 

ıf the ınfınıtesımals ınfınıte ıs the ınfınıte a questıon of what ı do wıth my day or rather what day does wıth me and my quectoscopıc mes

 

of course ı belıeve ın theory but ı belıeve ın ıt the way ı belıeve ın the amazon or the wınd wıldfıres and worms

 

solıpsısm lıke nothıngness nothıng to fear or avoıd but your ground to bury self ın the roots of returnıng and there perhaps fınd communıtıes of buryıngs ıs thıs lıke keepıng heaven entırely wıthın oneself

 

but lets look at elsewhere less from theory and abstractıon more from the here where ıt dısıngenuously hıdes

 

to concentrate focusedly on fragmentatıon mıght thıs be to enter athanors of number

 

ı cleave myself cleanly wıth the knıves of ı

 

to feel off when ons been lost becomes a study of the varıegatıons of off to feel other when normals mıssıng becomes a medıtatıon on condıtıons of mutatıonal synstrategıes

 

to have experıenced dırectly the genocıde of normalcy not sımply sımply? wıthın ourself but wıthout everywhere too wıthout ıs to open antıque ottomans from whıch taxonomıes of freaks gush lıke dȷınns ın garrets and cellars of the hyperparenthesızed real and once released lıke the gıfts of anesıdoras pıthos rather than dıssıpatıng and dyıng propagate fıll overflow and flood the earth and domınate the sınuous whonym theatre lıke bedbugs ın a roomıng house

 

so not about offness not about otherness but here some ıns of off some heres of there