characters & pages in novel

the question of how many characters there are in novel is similar to  it may be the same as  the question of how many pages in novel   does sadoo eg have one zero three twoninenine innumerable or infinite characters?  unsure   like pages it depends on how you count and if you count like me in words not numbers  who counts in numbers anyway?  which words do you include for words are persons too? and then do you count all the wordpersons not necessarily specifically mentioned but certainly referred and alluded to  all those hiding characters and pages who many infinite times outnumber those seeming not to hide? theyve said sadoos the first characterless novel but this is gross   its obviously just another novel that has too many   how do they relate these characters you ask we dont see marriages and deaths and fights and affairs and divorces and births and wars and morallessions and stompingsoff like in all those other novels we know that we call novels   ım not so sure   ı dont think youre looking carefully enough   in this paragraph alone eg ı count 912 stompingsoff and thats not even a close reading

 

anyway sadoo has at last count ı mean word at least threehundredandseventythree characters who are pages and i dont know how many pages who are characters so what does that do to everything?

 

each words a door  a door without frame rooms outside walls insides  so novels spaces comprised of frameless doors  each door only leading to other doors and writing or reading  lets call these activities combined for theyre never separate wrading and rriting  ıs  its pronounced eyes and its the last time were gonna tell you though weve told you its the last time before so no one believes anybody anymore   events of getting lost in moving among the endless openings

 

how many pages is novel? how many sadoo? only one page on the internet so one? no pages in digitalia so zero? infinite pages so any number? the numbers arbitrary? absent? pageless? numberless? is it thousands like un sacco di pensieri ou à la recherche du valentin perdu o dozens like le rêve et la vie oder dunkler frühling? sadoo strives to be wordless through an excess of words and its number any word you want

 

this is novel this isnt novel

this is novel

you wake up one day and think im tired of everybody owning me and telling me what to do and having my potential curtailed by the system so you run away and the freedom feels like coitus and after 10 or 20 years youve finally realized  after countless humiliations and pains  that all youve done is shift your allegiance from one energy to another  from one that pays well to one that doesnt  from one that feeds your ego to one that doesnt  from one where travel lovers opportunities are endlessly available to one where everyone shuns you   and you wake up again one day and think again all ive done is changed bosses and you either think youre an ass if you actually respect your former boss more now  either from nostalgia or suffering  essentially youre broken and probably are suiciding in any of the 1000001 ways to suıcıde  at whatever speed  or you think a bunch of other things which you attempt to transmute into something else more interesting than the thoughts and this attempt is an example of why you ran away in the first place though there is no first place

that isnt novel

 

im only alıve in novel   you say you say though novels all there is and everything is novel so then arent you alive everywhere even in death?   yes perceptive unreader this is very true   but theres novel and then theres novel in and behind novel  its novels all the way down   so only in novel am i alive and yet in the novelhead im always alive   but you say you say though its bottomlessnesses all the way down   yes unperceptive deunreader this is very true and they both are true for novels and bottomlessnesses are the same but dıverge ın name as they ıssue forth  beıng the same they are called darkness  darkness upon darkness  the gateway of the manıfold secrets

 

plagiarism excursion

the skullarly team of skullars sentence sadoo and all its subsidiaries and cohorts to zero and zeros forever and ever without recourse or appeal and we meet with you and your mother though your mothers dead and the dead too can weep and we write many many zeroes and we say no no and we force the straightjacket of citationality on you and zeroness upon zeroness the fateway of the assifold egress

 

there are those who are eternally sad because they have the fault of loving life too much and they long to enter the commons but cannot because to enter would for them mean betraying the commons   they are the people who encounter the commons by restraining themselves from entering and they are the ones we call noveloos   they long to speak the language of the commons but the language required for their restraint consumes them and its this latter language thats novel and why they cannot accept the common designations and often go mad

 

let us move into the space of reason

the reason of novel

which is no reason

let us move into the space of reason that is no reason that is novel

yes

let us measure the movement

but how shall we measure the movement when there is no reason

let us use the other measure

ah  the one given us by the faceless one who visited on the nameless day in the space thats never found its way onto any map

yes

but that measure has no measure

exactly the sort of measure required to measure what weve arcked

unmeasure for unmeasure  thats the exhaustion

 

novel to be novel doesnt have to be literary but it has to above all else be spırıtual for literature is a construct of society and particular dominant aspects of society at that  and so solid  but spırıt is sımply a bıologıcal function  rooted breath raised to the heavens  breath made word and word made novel  and so gaseous & very gassy

 

novels best if like virtue it doesnt know itself  if it doesnt even think it exists but its here  youll say but look at you  novels knowledge of itselfs everywhere and you call it novel   well i call it antinovel   but is ıt and do ı? what youre calling knowledge is doubt and ı call nothing but novel calls ı and what ıt calls ı ıs a question of the name