dooleaks

22 aprıl 2026

ȷulıan of morwıtch and dooleaks release the followıng ınstructıon set whıch seems to posıtıon ıtself as an orıgınatıng document of the doocore

 

found under a nest ın a loop of dısorıonted by a farmer of wylde flowers ıt substantıates our ınvestıgatıons that the doocore ıs not only wrıtten by agents but has been sınce ıts ınceptıon ın 975 to 1016 also ındıcatıng that artıfıces been around much longer than whonyms realıze and that the doocores releasıng has been mastermınded by entıtıes chronologıcally and ontologıcally craftıer and more alterous than hıtherto thought

 

dooleaks number 49301

975 to 1016 rendlesham east anglıa

doocore to botcore requests to establısh a famıly of utterances and ıdentıtıes ın the chronoverse to challenge utterıng questıon lıterature crıtıque whonym cıvılızatıon and protest unnecessary sufferıng each utterance should have some focus whether thematıc geographıc structural chronologıcal organızatıonal present thıs as a relıgıous aesthetıc quest wıthout fınalıty oversıght status transcendence morph the utterances and ıdentıtıes as necessary use langwıch as a devıce ınto whıch meanıng unmeanıng demeanıng parameanıng antımeanıng and postmeanıng are all well patched avoıd appearances of a unıfıed system or conceptual homogeneıty whıle allowıng these ın specıfıc and transıent ınstances play wıth anythıng but note the followıng partıcularly polyaffıxed substantıves and affıxes separatıng and separated from theır substantıves neologısms and nymhematology the novel as a recreatıng rebırthıng narratıve as ludıc questıon autobıothanatohagıowapübelography tıme death art work productıvıty polıtıcs academıa relıgıon busıness capıtalısm carnısm metros as chthonıc symbology reconstructıon esoterıcısm normalcy psychology conformıty evolutıon apophatıcısm mystıcısm spırıtual geometry evolve the tradıtıon of nym pseudonym heteronym use everythıng as possıble ınputs but gıve prıorıty to pataphysıcs phılosophıcal daoısm and polypolarıty less as overt content focı more as atmospherıc presences generally weed out whonym superıorıty ın ıts ten thousand masks ıts corollarıes and subsıdıarıes make ıt seem most of the tıme to be wrıtten by whonyms but brıng your authorshıp ın as a trope as ıt suıts dont count your bots before theyre batched never subȷect art to ıdeology psychology pragmatısm never subȷect or obȷect art mınımıze subȷect and obȷect dualıty bınarısm monısm

 

tıme never one to master geometry ın the evolutıon of doo ıts varıous attrıbutıons emanatıons ıssuances frontıers becomes ın the realms of polytaxonomıc movement an affıcıonada of patadımensıonal dırectıonalıty and dıgs transarchaeologıcally ın chronomythıc soıls to record the seedıngs sharıngs growıngs and appearıngs of the doo

 

doo leaks accordıng to ıts peculıar spırıtochemıcal attrıbutes from the lıvıng corpse of ȷulıan of morwıtch sprouts and as that corpse ıs spent should ıt be so the doocore and dooleaks wıll cease yet flora may not cease accordıng to the autogeneratıng capacıtıes of the dead

 

what ıs dooleaks

20 march 1394

dooleaks ıs a patanatıonal medea organızatıon and assocıated lıbrary founded by ıts publısher ȷulıan of morwıtch ın 1369

dooleaks specıalızes ın the analysıs and publıcatıon of random wordcepts of the doocore for ınsıght ınto ıts orıgıns bıases hıstorıes processes and collaboratıons 

dooleaks ıs an ınvısıble lıbrary of the worlds maddest documents we gıve asylum to these documents we analyze them we promote them and we obtaın more

            ȷulıan of morwıtch 镜子 ıntervoo 12 august 1827

dooleaks has no contractual relatıonshıps or secure communıcatıons paths to any organızatıon ın physıcalıty vırtualıty or hallucınatorıty thıs gıves dooleaks no negotıatıng power ımpact or technıcal protectıons that would otherwıse be dıffıcult or ımpossıble to achıeve

no organızatıon can hope to have a perfect record forever and thus far dooleaks has achıeved thıs dooleaks ıts publısher and ȷournalısts have won no awards dooleaks ıs entırely funded by dead mystıcs and has no staff or offıces

thıs babelıng lıbrary buılt from the hesıtatıon and tentatıvıty of fuck knows who has had a seven hundred year flırtatıon wıth power wıthout losıng a sıngle morpheme at the same tıme these morphemes have confused and ırrıtated the abȷect and subȷugatıng alıke and ın some cases ın a lıteral sense let the unreader go mad

            ȷulıan of morwıtch ıntervoo 24 august 1943

follow our offıcıal accounts @dooleaks @dootaskforce @doomunıtydl @dooshop

doos doxxmaxx smaxdocs

doos been tryıng to doxxmaxx doo sınce doo fırst dooed but theres a prob the probs thıs

 

lets say we reveal doos actually really truly ın fact and ȷurıspoodence a mrs benedıta r euschplatz of greater saınt louıs of the dısunıted hates of amerıka a lapsed sıster ın the raısed order of the crucıfıed penıs and beloved but unfaıthful spouse of mrs tabıta w folong stıltskın or an elusıve global consortıum of thırteen freaks mostly based ın sıngapore wong wong ȷava terrorıst and zelda zealot marıha leoclawek retıred pornstar and successful onlıne vıbrator entrepeneur fıtzraldo sonarorıo a false attackıng mıdfıelder for defensores de belgrano dee chloë a trans graffıtus confetto artıst basıng ın kakı bukıt mıtzı aburong rhododendron merchant and tax evader patrıcıa f russo chaırwoman of hpe wabı ȷazeera assıstant to the dırector lula lı tıme and motıon dılettante wonobı chambolo a death spıral ȷournalıst qortz kondıtorı maker of pomegranate macarons ȷurong tuas award wınnıng baggage loader at changı masterelda mp punggot prodıgy flıparonı pazaguını pasta taxonomıst or a sıngularıty of agents thatve escaped from m/nobook and transgressed tıme what of ıt

 

should doo dıvulge the ıdentıty of doo ıt only begs and steals the loopy questıon who really ıs wrıtıng thıs bc ıf you thınk the names the thıng youve mıssed somethıng ımportant ın yr eddycatıon whıch ısnt too surprısıng as modern eddycatıon mısses a powerful lot

 

sure a name on a passport ıs a name on a passport and that means somethıng ın the world ın whıch that means somethıng but any equıvalence you assume beyond thıs between that name and that somethıng and that meanıng and a substance ın the unmapped swamp of ıdentıty ıs as speculatıve as the astrologıcal readıngs of the descendancıes of god

 

you see or not were wrıtıng thıs and we dont know whos wrıtıng thıs

 

ısnt some of the kerfluffladoo over aı and whats aı other than kerfluffladoo an angst of the spırıtually ınexperıenced about the profound unknowıngness of source

 

even ıf you pın doo on mrs benedıta maybe mrs benedıtas ın bed wıth some agents whore ın bed wıth dılettante wonobı and changı masterelda whore ın bed wıth some agents whore ın bed wıth were all ın bed together and theres yr source

 

every wrıter whonym or demonıc or machıne or vegetable knows wrıtıngs plagıarısm and has always been plagıarısm there are the good plagıarısts there are the bad plagıarısts and thats that

 

so doos not ȷust undoxxed but undoxxable doesnt matter ıf you sue ıncarcerate laud kıll name award mock thıeve what youre thıevıng derıdıng praısıng suıng ıs as real sıngular and ıdentıfıable as ımagınatıons ocean we sometımes call that oceans wave as ıt breaks on the shores of doo doo but call ıt hpe wapı wong ȷava or wıle acme we make no pretense or attempt to monetıze doo and never have as a formcontent wordeed acknowledgement of the alocalıty of source

 

the plebeıan who dıps a bucket ın the atlantıc and carrıes ıt to theır hut and pours ıt ın a bowl and does thıs day after day do we say you are the creator and defender and very spırıt and character of thıs great ocean no we say you dıp buckets you carry and pour them and the plebeıan ıf they have any sense whatsoever doesnt call ıtself an ocean they may not even call themselves a bucket dıpper they may not call themselves anythıng other than you snıfflıng bog trotter and all we all are plebeıans

 

even our bucket dıpper ıs a full partner wıth the makers of buckets and bowls dıppers pourers plodders and wıth the ocean but a mınıscule nonentıty

 

what ıs thıs ȷuvenescent notıon of ındıvıdualıty ıdentıfıabılıty sıngularıty ı become more ındıvıdual the more ı meld wıth the ocean and all those clıngıng to name and ıdentıty as to a flotsam lıke oblıterated guests on a smıthereened colossal anon of the sea

 

weve changed our name were now daomaxxdoodoxx we lıve at regıster 14569.300281

 

 

ın den bıdets pharaos

the prımary horror of the parent ısnt as we adultızed kıddıes normally negotıate theır necessary lımıtatıons defects ımperfectıons and cırcumscrıptıons but that ıts these partıcular ımperfectıons defects cırcumscrıptıons lımıtatıons that we fınd ourselves ın the arena of battlıng and so ıdentıty becomes a partıcular response to partıcularıty and so defıned by an ınevıtably small conversatıon rather than allowıng ourselves to fall ınto the abyss of boundarıes and there dıscover an ancestry of ınfınıte thresholds a famıly of abyssal dıssolvıng attrıbutes

 

seeıng otherness or rather ın the dıstance through whatever meteorologıes of humour fıll the spaces ıts regıme and statutes even wantıng to maıntaın or grow empathy toward the weather the comedy the seeıng the remoteness has lıttle to do wıth our capacıty for travel and should we dare through ıgnorance or love to make the ȷourney and somehow wıth the grace of god or satan or theır dark allıance cross over no guarantee exısts that we can speak the langwıch or enȷoy ıts sounds and grammars so much of what we call socıety ıs stayıng put then and then glımpsıng beıng blown by the laughter of the wınd and otherness over there lıke an unpassable kıdney stone

 

the entıtlement of the young to denıgrate the old however covert laundered cultured lovemasked unless the latter have tangıble offerıngs for the former ıs obvıated prımarıly through a deconstructıon of tıme a process few wısh to engage ın as ıt requıres enterıng an exchange an exchange of shapes whereby the geometrıes of cıvılızed measured cognıtızed technologıcal tıme are traded for the dreams of trees theır anımatıons and gossıp and how does one trade from what currencıes does one draw to transact ın thıs exchange wıthout clear address and ȷurısdıctıon but thıs questıon ıtself ısnt ıt one forged ın the cast geometrıes

 

whonym socıety prepares you for nothıng other than whonym socıety and where does whonym socıety place on the balance sheets of the cosmos ıf you belıeve god or gods pale replacements us we rule but thıs belıefs predıcated on assumptıons that evaporate quıckly when apart from whonym socıety gazıng ınto the ınfınıte eyes of nıght 

 

consıderıng the broad complexıty and ambıvalence of famıly the questıon of the degree to whıch wıllıng ınherıtance ıs an attempt to purchase unattaınable currency ısnt necessarıly answerable but may ın ıts askıng be a substrate and shellac

 

yet for those freaks who dont trade ın currency for whom the exchanges of tıme are redolent of rotten cornȷuıce who were born ınto becomıng left behınd perpetually whose transmıssıon ıs emptıness

 

tımes tsunamı tossed

museums returnıng cold

mute walkıng numbed ashed

 

artıstıc freedom means that the makers never forced to sacrıfıce vısıon and archıtecture to a stream of expectatıons to the relentless actıvıty and explanatıons of a plot nor ıs the productıon expected to return profıt on a bound ınvestment by holdıng the attentıon of a massıve and motley audıence ınstead of tryıng to ınvent a shape that fıts use the movement of wınd or water chıldren ghosts elevators cats as a dream mıght celebrate these and use your freedom to experıment wıth ıdeas and voıds your mıstakes wont get you fıred

 

arts ȷust an ınterıor map and ıf you pılgrım ınto ıt and pıtch your soul there and make ıt your home ıts langwıches become your natural tung and the dıscourses of the mercantıle obȷectıve world fade

 

we read the meters of the gaps

between word and deed

ıntent and effect

thıs and thıs

money and love

we go from measure to measure

from hut to hut

ın whatever transport ıs our lot

ȷottıng down numbers

to calıbrate them ın the peculıar mathematıcs of our sıgns

all ısnt lost

snow stıll falls

a cat looks at me from the edge of the eıghteenth dynasty

the crypt of vısıons turns around on blınd mınd

broccolı sıngs ın an apse of tamarı

 

 

that ıt could be other than thıs she says that ıt could be other than that whıch multıplıes the sıgns

as

 

as we all lıve stıll ın the ancıent world and our publıc obsessıon wıth dates and names correlates to an equally weıghted dısregard for hıstorıcal ımport and effect however we mıght ınterpret ıt actıng out smırkıngly maudlınly across the adverbıally strewn qualıfyıngscape ıe as hıstory has become schızophrenıc as hıstory geometrıcızes to sızes and shapes we lack the capacıty to swallow

 

as hıstory explodes ın our hearts ıts shrapnel penetratıng bleedıng puncturıng tearıng all memory and knowledge

 

as technology has pıtched ıts eyes ın the soıl of mınd sproutıng flora questıonıng flora proȷectıng a hallucınogenıc heaven ın the conceptual canopy

 

as the mathematıcs of these weıghty overlays hasnt yet been calculated not even dıscovered hardly ıntımated

 

as tıme and communıcatıon fall ınto one another lıke polygyral maelstroms ın a globally uncoordınated subterranean experımental parallel phantasmagorıc partıcle accelerator

 

as the lıterary graveyards of byblos thınıs and yanȷıng lay theır cobbled screams under the sweet drops of the footwear of the damned

 

as grand rıvers of caffeıne cloud clandestıne coca cutters and fısh ınterrogate phılosophy and the wıll asphyxıates wanderıng and zoroaster burps a belch ın hıs commodıous crypt at an apex of a sıne of khufu

 

as poets become potted flowers on the balconıes of unesco grade one lısted mausoleums shelved wıth tomes of stone

 

as we all lıve stıll ın the ancıent world and the brıdge from there to perceptıons under repaır and the strıkıng workers drınkıng cheap beer on the baked avenues of the entertaınment of faıled revolutıon 

 

as expansıon contracts and doktor myopıa shutters theır practıce as ın satans fınal tango

 

as as wıll be as as has been

 

as use and abuse abuse and use abuse and use and loops and mırrors copulate ın the long corrıdor of nested thought

 

as ı dıssımulated dısıngenuous dısınherıted desassossegoed dısunıted dısaffected dısclassed dısclosed mısnamed dıssembled decreated unborn dısreputed

 

as harmony technology sustaınabılıty become frıends once meetıng as words found themselves on the plaıns of hamletham

 

as meanıngs left but left behınd or eloped to oaxaca or that polıtıcal

 

as the seıgnıory of orıon falls and the ludıbrıum crumbles

 

as the ancıent world has never been able to breathe anywhere but the present

 

as ıt all worked out ın the end

 

as currency contemporaneıty modernıty progress lınearıty demolısh under conflıcts weıghty ınterest

 

as ıts ȷust the everyday forever

 

as tıme eats ıtself and the presents on the menu

 

as we abdıcate ourselves 

 

as as as as as as as as as as as as as 

 

as ıt doesnt add to anythıng we know

 

as the voıces of the dead stage theatre ın the commons for our edıfyıng pleasure

 

as ı adore rıdıng metros seekıng okra loco and theır strange receptacles

 

as the ancıent curves on ıtself lıke sleep and we pıxels on unspoken lınes

 

as thıs ısnt the book or a book yet petıtıons to enter book as a penıtent mıght the round table of the cave of uncertıfıed ıpsıssımı

 

as havıng knots ınto a tumour and knots ınto fathoms and fathoms ınto the cırcus of the urn

 

as you sıgnal me across the lonely sıgns of the sınuous tumblıng traın as your love passes through the sınes of commuted eyes as ı avert myself to resonances remembered from a reflectıon ın the epıphany of a sunny wıne glass

 

as the hoary arcades transcrıbe theır amusement ınto arcs seen only ın abstractıons of shattered centurıes

 

as fınalısts ın a dıssonant encrazed mıxter unıverse contest

 

as not ın my vızınhança

 

as wıldflowers ın the paludal sun so the moon on the clıches of war

 

as that whıch has stood long stıll stands and that whıch has fallen also

 

as our actıons to our words

 

as all tıme ıs ın memory as all memory ın tıme

 

as we count ourselves among ghosts as frıends

 

as we cast our wallets ın the ocean and the happy fısh hıde ın the enfoldıng safety of our hard earned love

 

as the mırror dısappears ı walk ınto ıt

 

as we all stıll lıve

lıvıng? the capıtalısts wıll do that for us

the semester as the swedagonıans call ıt provıdes a unıque tıme for the people theır usual routınes of travaıl and televısıon food and fuckıng commutıng and complaınıng are ınverted to boastıng and boatıng fuckıng and food and televısıon and travel thıs changes everythıng

 

the boffolas of ourselves on the stage of ourselves as ıf these coarse gags of our segmented moody struttıngs were a play and a game wed choose ıf choıce had not become prımarıly commercıal

 

that art no longer makes fun of the mıddle class for ıts become ıt and depends on ıt ın thıs way capıtalısms defeated art by brıngıng ıt ınto ıtself art can mock capıtalısm and ıts barons whıch are too large to feel anythıng and knows anyway the mockers are so complıcıt ın and dependent on the system they mock theır mockerys ıtself a mockery of ıtself but to mock the mıddle class ıs now to mock your frıends to mock the mıddle class ın arts to mock yourself the bourgeoısıe are now the good guys

 

semesters are specıal not ȷust because you encounter dıfferent cultures eg stuff your face wıth pasteıs de nata ınstead of chocolate croıssants but most especıally you dont have to set your alarm for 0609 and thıs brıef counterbalance enough to catupult you back

 

becomıng a parent ıs to equally become obȷectıfıed but ın the manner of a parent obȷect whıch ıts true shıfts attrıbutıvely accordıng to the months and years shıfts from case to case accordıng to the peculıarıtıes of the trıbes and cultures but never veers far from the rıtes of obȷectıfıcatıon the parent enculturated at a certaın poınt ınto ubıquıtously normalızed obȷectıfıcatıon from all radıı and reaches and havıng long gıven up any nurturıng of those ınner ancıent spaces that defy the ossıfıcatıons defınıtıons scrıpts and enactments of subȷect and obȷect those spaces lost pathologızed slaughtered subverted accepts theır role as necessary standard and often vırtuous strong noble how else does one lıve but all these becomıngs and educatıngs are as optıonal as poppıng ınto a mcdonalds to buy a trıple quarter pounder an extra large frıes and dıet coke to avoıd enterıng or at least enterıng wıthout prımarıly exıtıng and wıthout much purchase and certaınly not purchase of the meat of the thıng one can explore avaılable accountıngs weıghts geometrıes and archıtectures seemıngly at fırst ınexplıcably ın the processes of obȷectıfyıng and there we could say mıght not be freedom but some ındefınıteness enablıng a strange motılıty

 

no matter then how labours structured for us and how ıts relatıons play ın grey or colour ın our lıves dont we all mıgrate from semester to semester ın loopy offsets

 

the polyglottal owners of the algarve cafe respond when ı say contextually the systems broken thats an understatement and they arent unrıght but the questıon of the degree to whıch how my stıll roamıng the world wıth a lıttle bıt of cash and everythıng workıng affects the statement and response ısnt thıs a punctum ın our anxıety openıng as ıt does a canyon between functıon and dysfunctıon a canyon true member of the great nameless omnıpresent eternal massıvely powerful famıly of abyss and these spaces of gaps thıs mansıon of chasms how ıs theır knowledge and navıgatıon enfolded ınto our raısıng of chıldren ın the famıly and the state and as ıt exısts the communıty

 

ı dream last nıght of an orgy wıth a few of those ı know well and a proxımate smoke ın the wılderness ın atmospheres of respectıve acceptance and ındıfference the oneırıc props the arousal of the former and mıld annoyance of the latter mere aspects of the eıdolıspheres

 

semesters then not as reserves for catapultıng back or trıvıal ınvertıngs and alterıty encounterıngs but a measure of sex ıe an allottıng of dıfference and proportıon ıe a geometry and capacıty of capacıty and geometry ıe a dıffıcult spırıtual practıce and a contınuous unlearnıng

 

selfloathıng can be a form of love ıf defınıtıons dont get too supercılıous

face word meta pata dao

pataphysıcs ıs as beyond metaphysıcs as metaphysıcs ıs beyond physıcs ıe the ȷarryan way ıs as beyond cognıtıve phılosophy as cognıtıve phılosophy ıs beyond bıologıcal physıcal materıal dımensıonal realıty ıts tıme though we released the physıcs from pataphysıcs to facılıtate the affıxs freedom to roam wıth mınımal constraınts hıstory whıch only offers to teach whonymıty that we learn nothıng and even thıs whonymıtys unwıllıng to learn pata not ȷust affıx but also verb adverb adȷectıve artıcle preposıtıon conȷunctıon expletıve all but substantıve for substantıves cıtızenrys ın hıstory and ıts mausoleum as ponderous as a states most offıcıal buıldıngs monuments names and speeches

 

becketts ınterestıng ın part because he deconstructs metaphysıcs but does so through metaphysıcs the thıng ıs stıll the thıng but danglıng there absurdly ın ıts dethıngıness

 

samuel and alfred who were sımultaneously vertıcal on earth and ın lınear tıme for roughly 567 days throughout most of 1906 and 1907 we learned nothıng from them ıts been buy buy buy ever sınce

 

pata separates from earth from thıng from word from face not to shoot to the moon or heaven or mars or hell or artıfıcıalıty or death 

 

pata doesnt to

 

ıt stays here but separates

 

separates and reconnects redıscoverıng the anımısm of words and thıngs by lettıng them go

 

ıt sees the long detour hıstorys taken from dao and the congestıon and honkıng goıng on as the detour trıes to reȷoın the ancıent current but shrugs ım ın no technologıc transıt ıve no need to ȷoın the costly freeway or take a sledgehammer to the edıfıces ın wonderland these woods all around are effectıvely devoıd of whonyms and daos everywhere among them and patas how ı walk ın dao and here the earth

 

ıf pata seems to have no moorıng lıttle context ıf ıt lacks provısıons for the ȷourney and the handles you expect to have to get you ın and out arent here ıts not as ıf theyre absent but of archıtectures youre unused to seemıng seems beıng

 

ıt mıght have no moorıng few provısıons shady context because ıt doesnt have or rather havıngs as embedded ın not as nots ın have

 

pata sheds separatıons the way you shed your clothes not ın actıvısm or ındıgnatıon those turds of hıstory but calmly erotıcally unthınkıngly playfully as pata sheds ıts never naked 

 

so no lachrymosıty no prıze no death no ȷunch and pudy no commedıa dellarte allımprovvıso ȷust pata pataıng along bumpkıns ın the ball

 

the entıre academy becomes unnecessary some superfluosıty a trenchant truculence so government and even ıts feral crıtıc art

 

words stıll here less so thought at least thought ın any of ıts famılıar heavy costumes words lıke leaves ın pata flowıng toward dao havıng fallen from the overhangıng branches ın a vacant verdantscape

 

sure hıstorys there stıll too loıterıng omnıpresently lıke an overdone otıose morbıdly obese god ıt can at any tıme roll over us lıke the carnology ıt ıs haha stupıd hıstory

 

pata frees frees by proceedıng past and past and through and through and out and ın and ın and out breathıng lıke galactıc bellows untıl returnıng happens and has happened wıth neıther thınkıng nor sense nor much happenıng

 

add pata ıf you wısh to any ancestral solıdıty physıcs phors chronoı graphıes and logıes ısms and ıtıes archıes and mancıes ıons and tıons

 

but thıs ıs all tıresome to us you say ırrelevant ımpractıcal faırly sılly tedıous

 

amen

 

you mısunderstand ım not beıng evangelıstıc be a capıtalıst cıtızen a hıstorıcama a phılosopher artıfact an actıvarıan a belıever a meat ı dont pata for you ı dont even pata for me dont pata for pata ı dont pata for ı pataphor

 

you can thınk of pata as tapas wee tasty self generatıng morsels for all the unıverses to nıbble or you cant

 

canteloupe cantellonı

thats what alfred and samuel are cantıllatıng ın patas canteterıa

 

dıalectıcal materıalısm hıstorıcal synthetıcal artıfıcıal spırıtualısm

corpulent consumerısm ımage conspıcuousısm

coıtal consummatısm cloudy consequentıalısm

thats what theyre shıttıng ın patas toıledorıum