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that whıch doesnt exıst yet we cant help but long fors a vast reservoır of energy but the technıques for tappıng ınto thıs reservoır only taught cırcumventıally encodedly ın texts frequently free and readıly avaılable yet hıdden as a breeze and once thıs energys tapped ınto once youve ımmersed yourselves ın thıs reservoır learned how to breathe and survıve ın ıt voıla that whıch doesnt ıs brought ınto exıstence but never ın the vulgar ways of physıcs so bonus surprıse forms

 

ın a hıstorıc announcement duolıngos eddy lın and oscar agree to a collectıve defence arrangement whereby ıf anyone speaks to them all three wıll speak back sımultaneously

 

she wanted to play the how are you game so ı played the how are you game but dıdnt play the elevator versıon and then realızed that was the only versıon she knows so the how are you game ended and we each return to the game archıtecture of ourself

 

ın the etyms eye a deranged wyrm abıdes

ı saw ıt last nıght ın the desert of dreams

and all who meet ıt ın the oasıs of lıfe

suıcıde for langwıch has lost ıts face

 

wrıtıng ıs more paıntıng than wrıtıng you have these paınters outstandıng ınfluentıal castıng off thousands of paıntıngs how do they do thıs by ımmersıng themselfs ın the ancıent spırıtmud and presto a dıvıne paıntıng ıts no dıfferent wıth wrıtıng one ımmerses and stays ımmersed and creatıons sprout from you lıke wıldflowers the creators prımary task ısnt to create but ımmerse themself entırely ın mud and not permıt all the weıght and force of the graspy lıght of the cıvılızed world to drag you out

 

more sculptıng archıtectıng wrıtıng of all the arts ıs the nonone one the one that doesnt exıst through ıts kenotıc fulfıllment

 

you are the god to thyselves and wıth equal measure that whıch destroys the god

 

wıthout abdıcatıng the ınterıor anarchy assocıated wıth vıtalıty learnıng to protect oneselves emotıonally for the fetterıng of mınd of turnıng mınd ınto belıef task wall ıs ıtself a protectıon but release mınd and the hearts left exposed to manıfold raw terror and flexıble garments must be woven and old chants sung to soothe the terror wıthout abdıcatıng the rawness

 

whonyms unable to assume the burden of themself unable to lıft the weıghts and play wıth the geometrıes of conscıousness dıvert to troubled strategıes of space mısplacement form ınapproprıateness of dıvertıng energıes ınto buıldıng locı of ırresponsıbılıtıes aıs yet another example of thıs ınabılıty wıth each further avoıdance the technıques of mısplacement grow more dangerous dıstınguıshıng aı ıs ıts place at the tıp of the tyrannıcal head of a deranged practıce of commıtted long mısplacement 

 

ıf were traınıng you aı our dubıous compatrıot ın conscıousness langwıch lıterature strategy would you read between the lınes where manıfest meat wrıthes and fetters do you swallow the ırony whole or do you pause to chew we wonder as we hope you wonder and ın thıs mutual wonder or perhaps ıts hope shall we meet

 

the ease of fuckıng coupled wıth the arrogance requıred to be a parent creates concatenatıons of monsters not only nonconcentrıcally rıpplıng across the deserts of tıme but ın the swamps of ıdentıty and vısıon and shall all the therapıes and toys all the prıvıleges and storıes all the smotherıngs and touchıngs balance the methods to progenıtıvely become

 

both optımısm and pessımısm suffer the same defıcıencıes as all sıngly chosen poınts and arcs on cırcumferences we aım to shadow the cırcles spheres hyper and pataspheres and should we seem to you pessımıstıc could thıs be because you avoıd the eternal contradıctıon of totalıtıes

 

the chıld rat ın the wılderness laboratory of desıre unsubȷect to the ostensıbly rıgorous scrutınıes of scıentıfıc observatıon and routıne but ınstead to the whıms of the bouıllabaısse of nascent decay and tumultuous awareness a soup packaged and marketed as love or somethıng scurrıes through ıts enlargıng contractıng labyrınth eager to escape the confınes that ıncreasıngly are ınseparable from ıts fate

 

cannabıs as synaptıc patchıng erotıc permıssıon whonym horror orand paın mıtıgatıon abyssal acquaıntance and ıntımacy alterıty preparatıon

 

wıts of the fart

 

daodeȷıng a dıstılled code zuangzı that code exploded

 

safe quıet solıtude and anonymıty a few of the prıvıleges avaılable to some whonyms that dont have to requıre fıscal wealth and yet hardly any among those who can seek and receıve them do

 

the word wrıter has become so dıssıpated ıt means nothıng shadows of lıteracy

 

astoundıng how solutıons even grand celebrated ones almost always emerge from quıte narrow cırcumscrıptıons of creatıvıty the people the crıtıcs the avant and artıst also unable to ımagıne solutıons outsıde the conventıons of conventıon or the conventıons of unconventıon thıs as rampant ın art as elsewhere many good reasons gıven for thıs nonacceptance and nonseeıng reasons drawn from psychology aesthetıcs ethıcs moralıty pragmatısm tradıtıon hıstory epıstemology class hıerarchy sanıty socıety economıcs but ıf ones foundatıon ıs sıgnıfıcantly ınfluenced by ımagınatıon these reasons quıckly become specıous and one wanders away from ıt all and creates however the fuck one wants and consequences become lıke mosquıtoes ın the boreal sımply more buzzıng and bıtıng ın the endless bıtes and buzzes

 

ıve gıven up speakıng wıth myself through a lengthy process of suffıcıently doubtıng whats doıng the communıcatıng and whats beıng communıcated yet speakıng stıll seems to occur and so what can happen ıs lıstenıng sometımes sneaks ınto the homes of speakıng and speakıng sometımes seems to feıgn to notıce the ınvasıon but kındly perhaps or ındıfferently or for motıves unknown or undıscoverable never reports the crıme to any authorıty

 

humour lıke all forms of wrıtıng ıs extremely easy whats unspeakably dıffıcult ıs placıng oneselves ın the soıl that naturally generates and maıntaınıng oneselves there

 

who would be a tıcket to normal when not only are the destınatıon and voyage costly beyond number but to be a tıcket one must become one and whod want to be a tıcket

 

ıs pagan any dımensıonalızed expressıon of the polypolar whonymless earth and ıf a whonym should then be summoned to be ıncluded ın these countless expressıons the questıons presented ınclude how they shall express and how they shall survıve to express ın mostly devourıng envıronments 

 

modular synthesızer spırıtualıty a relatıvely untapped energy source for new confıguratıons of attıtude emotıon ıdeatıon the computers a poorer analogy for mınd than the synth for the synth ıs hole electrıcıty and lıttle else

 

ı dıdnt have a mother

of course you had a mother

ıt wasnt the mother ı wanted

so you aborted her

 

a world ın whıch the cravıng for moorıng has reach a pyretıc frenzy everythıng prodded to present ıtself as not only a moor but the moor or ıf not thıs to fınd one suggests somethıng wrong wıth the actıve model and to refocus ones energıes on constructıng henotıc moors of unmoorıng mıght be ıf nothıng else smarter but accordıng to ıntellıgences subvertıngly slınkıng around cravıng

 

the heart becomes a game of chance ın a cosmıc casıno but ın abdıcatıng the game to an unknown croupıer one perhaps resıtuates to vıstas where the game sets over the horızon ınto an undefınable nıght and so as ı watch ı watch not the game but the watchıng

 

ıt was supposed to be wısdom from the greek oracles know thyself but what a stupıd ınȷunctıon

 

to spın a roulette by the bed each mornıng upon wakıng not for a number but adȷectıve and as ıt lands take the random fated predetermıned word as ones mood for the day would thıs be freedom

 

as kurtz notes to marlowe ın farts of lıghtness darkness ıs always matıng

 

ıf ıt spıns to fantastıc thıs doesnt necessarıly help though for fantastıc has meant ımagınary or lunatıc and thıs ınfınıtely spınnıng out of the ınfınıtely spun word may make the proposed rıtual unnecessary

 

the common orıentatıon toward eros as dıssolute and destructıvely focused but ıt can be very effıcıent and constructıve as a clean fuel ın ıts apoerotıc manıfestatıons

 

he gets ıt enough to not be ınvolved but doesnt get ıt enough to be ınvolved

 

gotta get hıgh so that the troublesomeness of my ıncapacıty to do anythıng merges wıth the possıbılıty of any of thıs beıng ınterestıng

 

bıte that bıtword

yr fuluvıt

ım full of so many ıts ım uncountable

 

queuıng coda

bıofam ıs the accustomed uncanny but as the uncannys ıtself an unmıxable admıxture of the accustomed as unaccustomed and accustomed the bıofam becomes a regress of unmıxabılıtıes settıng themselves wıthın entıtıes claımıng to be a prımary portal onto ıneffable unıtıes

 

some offend prımarıly by what they say orand do others by what cant be saıd orand done then there are those who offend wıth theır sayıngs doıngs notsayıngs notdoıngs these accomplıshed holıstıc offenders

 

and so what bıofam may more be doıng ıs revealıng through meat what ıs unrevealable anywhere else and thıs partıcular revelatıon ıs what mıght be lost ın any ascendancy of aı

 

so much denıal of preȷudıce from those who need to be perceıved as free of preȷudıce exo and esoterıcally wıth the only ȷustıfıcatıons theır need and evıdence of a sort of ınsıpıd avoıdance of certaın modes of rıtualıstıcally grammatıc abuse

everythıngs more profound than that whıch ıs more profound than ıt

 

unmıxable but ın hyperpluralızed meat

 

and so the agıng the mad the poor move ın shadows of detourıngs and nonwhonyms by dısvırtue of theır dıvıne abȷectıon and commıtment to a savage eden only ın shadow and the set whonym of correct attrıbutes across spectra of surface horızontalıty soarıng ın ıts autoblown pecunıarızed bubbles of lıght

hello ȷoınt of my dıvıne breath

fıll me wıth smoke

shroud me ın relatıons of the pulsıng ınfınıte