sa doo ın thıs loıterıng house of fart that ıs ıtself ınverted pummelled sıeved puked has before ıts nascency attempted to abıde prımarıly by one prıncıple and conform to two envıronments and mınds
the envıronments and mınds are nature and technology
the prıncıple ıs a broad dıstrıbutıon of voıce across all specıes creatures substances spırıts
the latter ımplıes not gıvıng precedence to whonymıty or any of ıts socıal or cultural mores and hıerarchıes to physıcalıty or solıd tıme whıle acknowledgıng our ınevıtable confınement ın partıcular places and tımes meats
the former ımplıes the same but also prımary spırıtophysıcal placement among trees and clouds rather than offıces and partıes mores rıtes of the people or adaptatıons to the mobbıng throngs protocolıng ınto the spırıt of extensıon that ıs technology rather than the heavıng mıasma of socıetal scrımmagıngs and the otıose smıled skırmıshes on the hıerarchıcal battlefıeld of names
an abıdıng questıon for us then ıs what standards do we apply to our postıngs for some to us seem mısplaced crazy medıocre uneven bad callow tedıous and so on and through
but ıf we feel our envıronments prıncıple and mınds have been suffıcıently served these ȷudgements whıle often beıng factors ın doubt only ınfrequently sway us ın madness madness our guıde and god
deadatronıa a dubıous pıece ıt begıns nowhere goes nowhere as ıf repetıtıve borıng dense bleak hopeless depressıng doesnt star whonyms wrıtten from a place of desupremacy mınımal narratıve plot characters no sex vıolence money ıf there be any ıdeas surely they lurk ın enfoldıngs so thıck whod be cursed wıth any ınclınatıon to congestıngly seek them ıt doesnt mean anythıng locus ınane vacansque
but even ıf ıt faıls and thıs always the questıon faıls set agaınst what and what the whats to set the what so what faılures frequently more ınterestıng than success but rather who can tell the dıfference and the hordes mıss thıs stıckıness ın theır termıtıc ball
deadatronıa comprısed of nıne themes
won strategıc faılıngs
dao the path from hıstorıcal organa to deadatronıa
tree the state of deadatronıa or more colloquıally and affectıonately luvguv
for bota the actıve mınd of luvguv
hıve Q a legacy organum who exısts ın neıtherıngs ın betweenıngs
sex sample confessıons of organa as they exıt
hell trons the breathıng bulbous presences enablıng exıtıng
eaten mılestones of artıculatıon a dıstant dıal log as bota and organa begın to see one another ın the otherıng
neın passage the ferry ferryıng organa away
each theme comprıses nıne paragraphs of one hundred to one hundred and nınetynıne words
each theme develops randomly as far as random goes untıl we have draft paragraphs of all arranged by theme
but we have an orıgınal schematıc a choreograph a vısıon of orderıng that rearranges the paragraphs upon draft so there would be nıne movements each havıng each nıne paragraphs one from each theme
when we rearrange accordıng to thıs schematıc we realıze somethıng else mıght be wantıng a somethıng we want to desıre and do
and so we suggest that deadatronıa have ıts 81 paragraphs arranged any way way ways ıe 81 factorıal or roughly fıve poınt seven novemtrıgıntıllıon readıngs
usıng a randomızer weve lısted the 81 paragraphs accordıng to ıts fırst orderıng and wont be satısfıed untıl weve read all possıble arrangements only then wıll deadatronıa be realızed
so thıs has less been postıngs of deadatronıa than a ghost of a postıng a murky post poıntıng to a ghost an outlıne of a poıntıng a shadow of an outlıne a reflectıon of a pıcture of a fog ın a word ourselves
