p o l y p t r y c h

this squashed and muted image intimates a p o l y p t r y c h installation

each panel should be at least 4x6 metres

the size of each panel can vary

the physical relations between the panels is flexible

relations would shift based on algorithms responding to surrounding input

the installation is religious in origin movement and intent

the four panels are presented individually below

each morpheme glyph and image is a biography genealogy thanatography scatobalneography and hagiography endlessly caught in ambivalent gyres of occulations and disocculations

this vilipended p o l y p t r y c h appends to the much larger up- and unending laurie spiegel installation (280213) and belongs to the vaster movement pataphysical lives dismatter

p o l y p t r y c h is an advent calendar under which each entry is an unchocolate for the door has no dimensions and its place for prizes just the entries   p o l y p t r y c h s an advent calendar that disadvents  deplacing time with vents and caloohar

gallery visitors should in their movements be irrelevantly and irreverently incorporated into the installation in a manner unrecognizably like la mariée mise à nu par ses célibataires même

p o l y p t r y c h s a calculus for gesturing death

relations between panels are undefined by any physicality among them and instead by imperceptions deriving from logarithmic functions of sensate intensity   shifting their weight and morphologies on propertyless planes

venue and access exist apart from promotional and pecuniary objectives and realities and those who enter and are incorporated do so lacking intent or consciousness