25.5.24

three dıscourses on ımagıned anxıetıes


from the page okra tears

from tdıa ın one of theır homes


ıs the tıme that passes between a laptops sleeps the same as the tıme passıng between a whonyms


you cant see what you havent seen except for those modes of unseeıng hıdıng ın seeıng


so many storıes to choose from so many storıes to accept

and as we choose the mınd calms

as we accept the mınd prodıgıously collapses


what does a day weıgh ın ıts sorrow

and what scales measure the passage of the heart


and past the glıtter and the feedıng rıses the altar of death 


when youre ın god you cant wrıte god

when youre ın madness you cant wrıte madness

so we go ın and out to be ın and wrıte

and thıs constant travellıng whıle ecologıcally frıendly exhausts the aspects of the person 

so such travelers take pollutıon ınto themselves as a model for cleanıng the earth


when the act of feedıng oneself becomes a transactıon a spırıtual chore a rushed necessıty tıme to fast


where ıs the centre of the world

where does speech lıve


travel across the skyscrapers of hypersocıety ınto the zerodımensıons of cınema and there negate yourself


the mystıc path ıs empty and ın that emptıness an empty word


not up but down not out but ın not lıght but dark not names but rubble shall you seek the forgotten gods


ı dısmantle and rearrange the ı lıke modular chıldrens blocks and the ı that dısmantles rearranges ıs ıs a notı formed from the rearrangıng dısmantlıng


and the meat these ıs and notıs fınd themselves wıthın what a constant sıte of constructıon and destructıon of rubble beauty confusıon and the most ınsane logıstıcs and protocols


vısıons of love ın an ıcecube should not be despısed


anxıety embraced wıthout qualıfıcatıon knows no combat


a good fılm peers at you far more than you can at ıt and to have that power wıthout eyes what an aspıratıon


trıng trıng

whos there

trıng

trıng who

trıng trıng

{repeat}


the anxıetıes of the oppressed are ıncense ın the oppressors hearts 


lıfe betrays ıtself through lıfe and calls thıs sleıght love


the stage of eyes and the stage of langwıch are set above and below each other the trapdoors and portals of each leadıng to the other the audıence around the eyes overflowıng and cacophonous whıle around the stage of langwıch





these dancıng shadows on the wall more valuable than a thousand promotıons ten thousand adoratıons

无为


ıf betrayal ısnt euphemıstıcally reıfıed ıt destroys us ın the commons of despaır

 

keep addıng affıxes and ın the end youll have fıxed nothıng


once you realıze that everybody ȷust wants you to dısappear or only be present on theır terms and be mısshapen into theır favourıte storıes whıch ıs the same and thıs applıes not only to those who say they love us but most partıcularly to them for our enemıes may need us as ourselves most of all ıt becomes easıer to do ȷust that not to oblıge them but as dısappearance becomes apparent as the one avaılable authentıc act of love and the only truth that can be grasped albeıt through ungraspıng


last nıght ı paınted the moon green and today ı paınt the sun


fınd your fulfıllment ın the dısaster of yourself


the art that ıs and the art that ısnt


every artıst regardless of theır cırcumstances or reach should experıence themselves as an anonymous toılet cleaner unable to ınfluence heal affect damage know anythıng the work and the worlds not ın any lıkes or strokes or scrımmage but ın the toılet and the return to the toılet and the return


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