while the consortia of sadooity does its very best to keep stories out of novel their best isnt good enough and stories ubiquitous selfrighteous aggressive sneak in through the fractures of ineptness we join todays sneak as tootincommons sipping a lakkalikööri prepared for it by ay in mophinebuneferankh at a greenfaerie bar on the cliffs of saqqara we say lakkalikööri not from any technical or skullarly precision but because we like the word better than deathintheafternoon but by lakkalikööri we mean deathintheafternoon although as you see from the title and will see from the story lakkalikööri isnt an entirely inappropriate nym in this sense anyway title and story agree which isnt as storytelling experts will tell you always the case
tootincommons only eleven egyptian years old but its a cat in whonym form and so lives differently and drinks lakkalikööris prodigiously for its years and lives are of a cat but its liverlusts of a whonym it only trusts ay to prepare its drinks for who not among the commons wishes to cut the tall poppy down for the commons is of the epicaricacy but the toot in the commons knows no such joy
even as tootins nhũmẫu streams her milk into its newling miṣrmaw and sings the ptahka lullaby
were all warmer when were touching
were all hotter when were fucking
were all cooler when were crying
were all colder when were dying
tootin knows of the fareohs curse which exists long before any fareohs and indeed some say even begets the first fareoh and every one hence until the last drop of nswt blood leaves maximinus dazas hêpar tootin is born with this knowledge and all other knowledges flow from it
tootin is a nympholept and this interferes with its love of lakkalikööria for it has not figured out how to swoon before a nymph and swoon simultaneously before the green faerie though if it had consulted the nomarch of faerieame it would have known that deep in the pyramid of khufu is a great rupture that should one be able to read the margins of the texts of the ninth volume of book of intiaten one might enter but all this shows is that even tootins cant on their own know it all
& all well say dearest unreaders in this regard is that the secret knowledge of our nomarch may have something to do with the strange relations of indefiniteness and definiteness and that even tootin though it itself is this relation and its sign and symbol hasnt yet seen the farnear of what it might very well in its distribution be
one day if we can call these times days as tootins prowling along the niles riparian accounts it eyes her name is bhā she lounges on a mastaba masturbating masterfully a member of the indefinite class and while thoughts briefly swirl eddying it toward that saqqaran artemisian cantina those ramblings of wermōd
a louche couplet clouds in a play in a play limnologies of waverings
for i had then laid wormwood to my dug
wormwood and sugarplums are the same
and the opaque and liquid song drives quickly in its mind as bhā proffers her left & nymphy teat the other hand in the nethers swamping and tootin ambles sotted forward and clamps odontos to the task
but what is this? the cup of titta is a lakkaliköör and the cherillet a rubus aqpik and tootin in its gasp and valve in distilled and lucid suckling of & out the commons becomes its distribution
not my courage and leadership neither my birth nor power not my name or vestments neither intelligence nor perspicacity nor vision that create me as fareoh but doubt disquiet
i am the fareoh who writes the curses
and believes neither in the curse thats written
nor the fareoh who writes
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