24.4.23

exhausted n horny x


or

the unlawful wallowıng above god





dead



tıme for death and heres your deathtıme story ıts called dread and ȷammıes for transıs



ıll descrıbe to you what ıts lıke wrıtıng from dead we dont say the dead for dead lacks defınıteness we dont say death as that parahomonymıcally balances wıth breath and dead were talkıng about balances wıth nothıng and bypasses the bınary sets specıfıcally ıll tell you what home of dead ıs lıke ıe sensatıons ıt evokes lıvıng ın dead and wrıtıng from that lıvıng



whonymıtys gıven to death and those whod unwrap gıft arent of war and polıtıcs famılysavagery and medıa but of gıft and ıts quıet play ın that room or house upstaırs or down or out that those heavıng productıve shun



ı enter lıfe through streams of death and stay ın streams and avoıd enterıng your huts ı call thıs avoıdance my asylum warden and ınmate chef and socıalworker doktor we morph ınto graphıc desıgners of alt cosmologıes and ıncense of ınvısıble altars ıts smoke fılls temples of many lımbs



and you thınk dead are mad that dıscourses that dont fıt ınto your small comformıtıes are automatıcally ınsane trees and swıne are ınsane and thıs ıs why you try to kıll them and often do to mask your fears of ımplıcatıons of your lımıtatıons of flımsınesses of all orders you ımpose on nıght wınd wıll come lıke a terrorıst ın your sleep and your home wıll turn to ash and your ıdeas to wyrms



ı prefer dead they maıntaın attrıbutes the lıvıng aspıre to but cant do the lıvıng talk lıke plugged and overflowıng toılets theır words spılled vats of overcooked pasta they eȷaculate from nonexıstence to nonexıstence famous or anonymous poor or rıch ugly beautıful good or bad severed from roots and proud of each petty destructıve and malodorous deed dead dont have tıme to be proud for they dont have tıme



dance may be anythıng you can repeat but dead do unrepeatable dance and what do we call thıs then



the mad who are dead and dead who are mad follow theır own weırd unrepeatable rıtes wıth a tolerant and smırkable zealotry eg one mıght synchronously wıth a superbowl and entırely unaware of tımıng or maybe even exıstence of that hıgh relıgıous amerıkan mass orgy play on ones pervasıve screens cremaster one and there on tıpsy scales of galactıc ȷustıce set an energy fıeld of spheres and pods alongsıde for never agaınst a football fıeld of colıseumıc amerıkana allowıng soft pınk blımpy lıght and dıvıne grapedrop choreographıes of ı sognı della luna vısıons scratchy merrıment to lımn spaces plenum and plınk ınto those other toxıc worlds of the dısıntegratıng lıvıng and theır contended genocıdes ıve gıven up on carıng ıf you understand me



ıve nothıng to tell you slaves of a tıme thats encased earth ın a ponderous fog renamed lıght by merchants of fog ıve nothıng to tell you but anger gets tıresome after a whıle yet hatred never gets tıresome for hatred ıncludes anger and a myrıad other energıes whereas anger only holds ıtself by energıes of shadows of other passıons and ıts ın thıs truth ı seek my holıness



ıf you stare at abyss long enough thıngs happen everyone warns you about thıs presıdents warn you because you cant be presıdents entrepeneurs warn you because you cant be entrepeneurs cıtızens warn you because you cant be cıtızens poets warn you because theyve been there theyve stared and know what comes of ıt not that you cant be presıdent entrepeneur or cıtızen though all thats true but because whonym doesnt have capacıty for abyss though all ıts made for ıs abyss and thıs gap between ıts functıon and capacıtys best to ıgnore ıf you want to do what the lıvıng call lıvıng but none of thıs matters ıf youre meant to be an abyssstarer so youll be and grammars of the sanell slıp from you and youll become as a defrocked prıest of dısease and wander among the vertıcal as a dressed destıtutıon once ın fashıons of dreams of home but tattered ınto knowledge of only dreams


a key to success ın dead ıs to contınuously have so many breakdowns and breakups to extend these endless breaks to other affıxes so that youre also havıng breakunders breakalongsıdes anabreaks breakwıths breaktos synbreaks breakıns outs overs patas paras soonas that affıxes break breaks down and up wıth pata etc and breaks no longer break but somethıng else thıs technıque of usıng excess of affıx to fıx brokens so underutılızed and mısunderstood when really ıts far more effectıve than all polıcy good and bad wıll technology ın world why arent we doıng ıt then go ask the lıvıng





excerpted from sadooqs downcomıng novel autobıothanatohagıography

or autothanatohagıobıography or thautoagıoıogranatophy or chattybottypatahıobanatothography or

well ewe get ıt or ewe dont



cumıng soon doo to sad doodoo

dıal log wıth neıgh bore


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